"Noto" Drawing
Drawing, Ink on Other
18 W x 22 H in
Ships in a Crate
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$4,570
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Scene inside a church in Sicily. I like the starkness on Monochrome.
Year Created:
2016
Subject:
Styles:
Mediums:
Drawing, Ink on Other
Rarity:
One-of-a-kind Artwork
Size:
18 W x 22 H x 0.2 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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British Artist, born in Glasgow 1945. Studied at Glasgow School of Art from 1964-66 and 1968-70. He has lived and worked in Toronto, Canada and in Glasgow, UK. While he was a student at art school he began to develop his unique style.
His older brother Ronald Birrell, who was also an artist, was a major influence on his work at this time. His first paintings were figure compositions and industrial landscapes. His work is difficult to categorise, not simply realist, figurative, surrealist, historical, or combinations of these. Birrell's work usually contains figures in rooms or in imagined landscapes, often female, creating a potent atmosphere of disquiet or harmony. It is the creation of this atmosphere that is important to him. He works mostly in oil paint and inks, transferring his preliminary ideas from card and paper to board and canvas.
The most important influences on his work were his brother Ronald, now deceased. And painters such as Piero Della Francesca, Giorgio di Chirico and Paul Nash.
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