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Oleander II Drawing

Karenina Fabrizzi

Spain

Drawing, Graphite on Paper

Size: 19.7 W x 27.6 H x 0.4 D in

Ships in a Box

SOLD
Originally listed for $960

2728 Views

34

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Oil, ink & acrylic on paper. Frame needed. Oleander is one of the most poisonous of commonly grown garden plants, toxic in all its parts. The fact that beauty sometimes is intoxicating could take you to a terrible depression. In this society if you don´t match the ideals of beauty you will probably have a tough life. The idea here was to play with the double sense of beauty and how the poison of this plant, can invade your body and soul. We have to start re viewing our values.

DETAILS AND DIMENSIONS
Drawing:

Graphite on Paper

Original:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 0.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Saatchi Art NFT artist #SaatchiArtNFTArtist #Fair Director's Pick Saatchi art AAF NYC Metropolitan Pavilion in Chelsea March 22 – 26, 2023 ART on Paper 2022 New York City I have been always fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work. About the technique Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Virtual, Virtual

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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