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Drawing, Charcoal on Paper

17.7 W x 23.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$383

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ABOUT THE ARTWORK

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Charcoal drawing on Ingres paper. Based on a photograph of a fountain in the gardens of Versailles.

Year Created:

2015

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

17.7 W x 23.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Anyck Alvarez Kerloch

About the Artist

Anyck Alvarez Kerloch

Spain

I was born in France and at an early age moved to Canada where I spent my formative years. I now live in Spain.

I work on several pieces at a time. When I get stuck on one, when I see there is something not working properly or something is lacking but I just can´t figure out what it is, I let it rest for a while (a few days, a few weeks or perhaps months) and move on to another. When I do come back to any of those recessed paintings I might be lucky and find a way out to make them work and other times they just have to be discarded. I don´t throw them away because I find that many can be used as a base or background for a new painting. The old is then integrated in the new work.
I consider myself mainly a figurative painter but I do feel the need to wander to the abstract and I usually use the drawing technique for that.
The process is what I like best , especially at the beginning when there is nothing to lose or at the very end when the work is so bad that there is absolutely nothing to lose either.
Sometimes I am blessed with a free flowing session and I come out of the studio feeling really great. Other times there are days in a row where nothing seems to come out right, but in the end I always get something out of these unsuccessful days for they push me to go further.

The imagery I use in my paintings is retrieved from various sources: in my immediate surroundings , also from pictures I take of objects, scenes, landscapes and people , or just images I make up in my mind or the combination of all . Another great source of images are magazines and internet . There are thousands of pictures that I can use and combine in my paintings especially of people. To have a model posing whenever you need them is not so easy to find. However I must admit that there is nothing like painting the subjects live. Objects or people, the feeling is different.

Recognition:

  • Artist featured in a collection

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