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Roundism - 17-08-22 (sold) Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 12.2 W x 9.4 H x 0 D in

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SOLD
Originally listed for $400
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About The Artwork

Two varieties in the Same Style This graphite pencil drawing ‘Roundism – 17-08-22’ follows its angular version of two days ago. Surely Walter Bird’s reference photograph was good enough to draw two versions from it. The aim of course was to offer the viewer the ability to compare these two. See what choices in abstraction I made. Now this one is finished it almost is a pitty to leave the subject and find another one. It is just that I am a sucker for razor lights, contre-jour and other extreme lightings. There are plenty of more reference pictures of old to be found. I hope I can make such photographs in a better studio with better equipment myself one day. Scaling In the first drawing of the subject I kept a considerable part of the negative space. In other words, I drew the body a bit too small compared to the space around her, I think. However, the advantage of doing one subject twice is that you offer yourself a second chance. So I scaled the female form up a bit. Sometimes I am a little bit too precautious. I always want to avoid creating forms that feel like a sardine tightly packed in a tin can. On the other side themes can look stupid if they are depic-ted too small. It is always a matter of weighing precisely. Darker Because of a better positive / negative space ratio I created myself much more white space. That is why I was able to darken this up, adjacent to all things light. Such increased the dramatic feel tremendously. I made sure to keep the extrapolated roundistic forms outside the body darker than the hightlights though. This way they serve as echoes of their bodily counterparts.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:12.2 W x 9.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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