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Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
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The Fall of Weimar
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The Fall of Weimar Drawing

Christian Kabuß

Germany

Drawing, Chalk on Paper

Size: 27.6 W x 19.7 H x 0 D in

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About The Artwork

Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times? As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.

Details & Dimensions

Drawing:Chalk on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 19.7 H x 0 D in

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To work as honest as possible, and intense, towards an imagery embedded in life and sound in itself. Use the Facebook-Link above for a short video about "Christian Kabuß – Painting".

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