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Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. 

So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times?

As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.
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VIEW IN MY ROOM

The Fall of Weimar Drawing

Christian Kabuß

Germany

Drawing, Chalk on Paper

Size: 27.6 W x 19.7 H x 0 D in

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SOLD
Originally listed for $1,040
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2175 Views
129

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About The Artwork

Drawing in Weimar means living to see the contrariness of Goethean classicism, Nietzsche-spirit, signs of Bauhaus, Nazi-era architecture and East-German management of heavy tradition. So, to broach the issue of pillars is not about form but about the spirit of things -- is it Klassik, the Gauforum of the Nazis or a detail of the student's canteen from East German times? As an artist, I have the chance to leave it hung in abeyance, and make a picture of Weimar: all-in up to today.

Details & Dimensions

Drawing:Chalk on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 19.7 H x 0 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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