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Mixed Media, Clay on Canvas
Size: 16 W x 20 H x 0.7 D in
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CAMEO. Contemporary Decadence. I create sculptural art compositions based on the interaction between the processes of destruction and restoration. The painting Cameo, like my other works, shows how I see the contemporary world in which these processes take place. Using a method of mixing styles and materials, I also want to capture our experiences that help us understand the world and our place in it. Broken pieces of stones, decorative elements from previous eras, including the Victorian symbol, the cameo, represent our broken world order by the multiple social and political crises our world is going through right now. In my paintings you can literally see a direct allegory - cracks, broken pieces, industrial materials and black and white colors demonstrates the tension we are living in. I realize my concept on canvas through the aesthetics of symbolism and aestheticism that were characteristic of the decadence period in Europe. I see some commonalities between our time and the decadence of the late 19th century, when uncertainty, lack of perspective and disillusionment were in the air. Although everything still seems to be going well, there is some sense of unease and distress. The cameo is an elegant symbol of the Victorian era. The period of decadence as an artistic and cultural phenomenon emerges at the end of Queen Victoria's reign.
2024
Clay on Canvas
One-of-a-kind Artwork
16 W x 20 H x 0.7 D in
White
Yes
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Artist Statement My art is a reflection of the nerve of the era (zeitgeist). It rethinks the complex processes of searching for a new world order through social and military crises. The prematurely proclaimed “end of history” did not happen, the “grand narratives” returned and changed our ideas about the world - it is now seen as unpredictable and unreliable. The philosophical paradigm of our time is in a state of oscillation and simultaneity between the opposing aspects of the cultural codes of previous eras and modernity. We find ourselves at the intersection of the collapse of the old and the construction of a new world. The interdisciplinary approach of the metamodernist artist allows me to observe this transition and explore it comprehensively from the point of view of my constant interests: politics, psychology, sociology, futurology. That is why my art creates tension and conflict, while simultaneously showing a way out of it through a combination of contrasting phenomena: destruction and creation, clarity and ambiguity, irony and sincerity, relativism and the need to make choices. My visual language is expressed predominantly by a black and white palette and non-artistic industrial materials embedded in the space of the canvas. These are no longer paintings, but not yet sculptures. Broken elements of antique style, baroque, gothic are conceptually associated with the wreckage of today's world, and visually refer us to eternity - archeology, making my works commentaries on it. The practice of mixed media transfers tension from the real world into art, where bridging the distance between them allows us to recreate a sense of wholeness. This is how I transform postmodern deconstructivism into harmonious constructivism, offering the viewer a new vision of the world with positive scenarios.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas
Artist featured by Saatchi Art in a collection
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