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Mixed Media, Manipulated on Metal

19.7 W x 39.4 H in

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$2,761

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ABOUT THE ARTWORK

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SHIPPING AND RETURNS


When a metal surface, treated to prevent rust, is worn by time and adversity, it can represent something unusual, such as a cathedral in front of which one can reflect on the inconsistency of existence.

Year Created:

2024

Subject:

Styles:

Mediums:

Mixed Media, Manipulated on Metal

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 39.4 H x 1.2 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.

Born in Legnano (Italy) in 1963, the author is an Italian painter and sculptor who lives and creates in Inveruno (Italy).

Despite having embarked on a course of technical-scientific studies that have led him to achieve brilliant results as a manager in important companies operating in the design of new technologies, he has always dedicated a large part of his creative energies to artistic activities.

Initially directed to the musical and literary genre, also with regard to the passion for photography and thanks to the teachings of his father Eugenio, he transposed his artistic research into the pictorial field, initially painting according to the dictates of the Impressionist trend, then moving into an Abstract and Conceptual, enhancing its major expressive stimuli.

He has participated in numerous exhibitions and national art competitions, in which he has obtained a good response from critics and the public, as well as flattering awards. In the last year, the artistic vein finds a further expressive modality in sculpture, a world certainly more demanding than painting, but which offers hitherto unexplored and highly satisfying additive sensorialities.

In each work the commitment is always maximum in offering an "emotional key" to be used in self-discovery: the work of art understood as a means and not as an end.

Recently, some works have been brought together in a virtual place where it is possible to have an organic vision of the artistic utopia of a man who does not care about the market and who never stops looking at the world with the clarity of the closed eyes of a child smiles.

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