"Threads" Artwork
Mixed Media, Enamel on Wood
24 W x 24 H in
Ships in a Box
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$1,840
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Oil, silkscreen, varnish and enamel on wood panel. Layers of reds and blues are painted and silk screened on top. The mesh patterns and lines create a visual woven fabric with a glossy reflective finish.
Year Created:
2017
Subject:
Styles:
Mediums:
Mixed Media, Enamel on Wood
Rarity:
One-of-a-kind Artwork
Size:
24 W x 24 H x 3 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Memory, textures, and surfaces play an essential role in my palette and visual language. Deconstructing and reconstructing pictorial space has become central to my research and studio practice. Through processes of sanding, cutting, burning, smoothing, and grinding, I transform surfaces into impressions, footprints, and traces—records of action and time. By rearranging fragments, I create tactile landscapes and complex surfaces that draws the viewer in, provoking a dialogue between what is seen and what is felt.
Born in East London, I immigrated to the United States at the age of two and grew up in Los Angeles. I earned my BFA from Otis Art Institute of Parsons School of Design in Los Angeles and continued my studies at Parsons School of Design in New York. My work is held in collections in the United States, England, Belgium, Spain, and Portugal, and has been exhibited internationally, including in Japan, Holland, and Italy.
Immigrating to the United States for a second time in 2022 sparked a renewed sense of curiosity and discovery around ideas of home and belonging—what feels familiar and what remains foreign, what is preserved and what is transformed. These experiences continue to shape my practice, informing an ongoing exploration of memory, displacement, and the material traces left behind through experience.
Recognition:
Showed at the The Other Art Fair
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