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Paranoid &Sunburned - Limited Edition of 5 Artwork

Marit Otto

Netherlands

Mixed Media, Digital on Canvas

Size: 47.2 W x 31.5 H x 0.8 D in

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$1,500

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About The Artwork

Paranoid & Sunburned is no 08 of the Heroes/ Helden series- B-sides. A second portrait of Skin (Skunk Anansi) There are many notions about art. Art pour l'art, art to celebrate splendour, ethically engaged art and many other notions. Within the visual arts, notions can be periodically dominant and if you ask me, very paralysing in their dominance. I am not an insider in the music industries so I don’t know where they stand on this matter. But, as a fellow artist I did wrestle with the general idea that engagement can be explained as judgemental. My work is ethically engaged but it is not a political or artistic correct choice. It emerges from who I am as a person and the questions that are raised in my head on a day to day basis. My art can be personal, it can be ethical, whatever is bugging me. I use my imagination to translate the raw facts into a new story. Doing this gives me more grip. For me, the music of Skin- Skunk Anansi has this sense of urgency that I also experience in my work. I do not know her on a personal level, but her appearance, voice, music and subjects seems raw, intense, sincere and ethically engaged. As if she bares everyone’s pain and anger. Of course it is all theatre, especially in the music industries. But the closer the illusion gets to the soul, the more universal and real it gets. As a visual artist I always look for a certain truth. I use my eyes, hands and imagination to bring this truth to live. I often describe my work as abrasive aesthetics, this characterisation applies, in my opinion, for Skunk Anansi (Skin) too. Power, vulnerability, loss, love and pain are inseparable connected to each other.

Details & Dimensions

Mixed Media:Digital on Canvas

Artist Produced Limited Edition of:5

Size:47.2 W x 31.5 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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