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#7 Flashback - You never Know pt 2 Painting

Lavinia De Ayr

United Kingdom

Painting, Ballpoint Pen on Paper

Size: 3.2 W x 4.6 H x 0 D in

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About The Artwork

In part 1 of this mini series within this collection of 10 illustrative works, I questioned whether an incident is really just an incident, or is it a deliberate event? Was there any need to even ask any questions, because they have probably already been answered, and when feeling an undercurrent in a location I speculated that the location was probably always like that anyway. Or maybe that way because it was a Friday, when the experience occurred! I had been there before. But it was the other way round. Something, and instruction was given that almost turned into an incident, very quickly, which was never intended, nor premeditated! At this time in this particular location In the moment depicted What seemed like 0-60 If I had stepped back at the wrong moment Things could have been very different! In part 1 the introduction to a form of communication which is something that you can be forced to notice, or even pay attention to you because you are being directly, or indirectly stalked. A form of communication someone has devised as a way of communicating to who so ever they are targeting, if they can get the target to notice. In this depiction is again referenced by green number plates (which are not common place in the UK) and reads; Nearly Gotcha! But what this piece really brings up for me, therapeutically is the following questions..... What do you take into your success? Really? Realistically, coming from where, and what you have come from? What develops in your success? What develops as a result of your success? Who is actually in your success? How good are "they" at making a "play" for your imagination, rather than being strong enough to just accept whatever is the reality of any given situation, or whatever is your life's station, so far? Who hates success? Who has the sole purpose of only gaining surreptitiously from the success of others? Who only ever makes it look like success, when they have something completely different in mind? What are the rules of estrangement, and saying no to someone who you recognise, and most feel as not having any good intentions?

Details & Dimensions

Painting:Ballpoint Pen on Paper

Original:One-of-a-kind Artwork

Size:3.2 W x 4.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in London. From kitchen table top, to connecting to the market place creating a hub of creativity. I have had the opportunity and privilege to live and experience many different area's in England and addresses in and around London, living in different social conditions, with a different set of challenges and joy's at each location. These experiences continue to be the biggest influence and inspiration for my work to date, inspiring imaginative impressions, which translate into expressions of fictional characters, and decorative designs. Whilst I did attend formal schooling, I did manage to achieve leaving secondary schooling without qualifications. Later gaining qualifications by investing in vocational training. I initially took up sketching to help me with clothes design, attending a local community college, it was a cheaper option as a young parent at the time. I come from a background of naturally creative people, where things like clothes were made without patterns, or any prior preparation for design. It was a time of instinctive survival, with a jump in and get it done way of living and thinking, learn on the go type of attitude toward life. Writing poetry plays the role of being my first point of creativity, it is a combination of free flow journal writing, "free flow" is a method of unblocking personal expression. Examples of this is the pen sketch and textile remnant journals, where poetry, meaningful sayings, and short messages meet. Expressing myself through writing journals, poetry, and even finding a way of writing threw creating an image, led me to explore painting as a further means of deeper self expression, exploration and release. What emerged is a spontaneous method of painting, composition admittedly is not a study in every piece initially, but emerges in the form of allowing a subject to develop in a space, in whatever form or position it takes. Coming from the era where Art was not seen as a proper job, taking that notion on - for a long time. I struggled to come terms with art as anything other than frivolity, despite being a creative. To understand my work further; The experience behind the creative process. Throughout my life as a child to present day I have been effected by the collection of behaviours known as Stalking. As a child and teen I witnessed others experiences.

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