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Abstract Letter series 'ラルホガ' - set of 4 Painting
Australia
Painting, Acrylic on Canvas
Size: 15.7 W x 15.7 H x 1.4 D in
Ships in a Box
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About The Artwork
Abstract Letter series 'ラルホガ' This works inception began with creating type modelled on the Japanese Katakana characters 'ラルホガ' The parameters that were set for the design of this work ( and for this series ) was to use only the letters L and - ( Helvetica Bold ) and an image that gives the illusion of a 'frame' that is central to binding the shapes together. Painted in the traditional sign writing method (using a resting stick, no tape ) and in a specialist super bright sign writing acrylic. This group of 4 paintings are finished in a hard wearing gloss clear and signed on the reverse side by the artist. - Set of 4 paintings - 40cm x 40cm x 3.5cm each This series can be hung in a multiple of combinations, across multiple spaces. The images provided offer hanging suggestions only. ++See posts for close ups and print options of individual artworks
Details & Dimensions
Multi-paneled Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 15.7 H x 1.4 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Originally schooled in Sign writing and later Scenic Art, in 2010 I began exploring and developing techniques in the treatments of typography by means of ( for example ) painting , sanding, masking and the overlaying of type and letter shapes. The original concept of my work was inspired by various weathered sign written signs I had seen mostly high up on the sides of buildings in Melbourne's CBD and also on walls of it's surrounding inner suburbs. It was around this time that I started developing more of an interest in vintage graphic design, package design and vintage typography, and whilst my explorations into letter treatment for the most part remained the same, the focus of my work broadened as I began to consider layout and design, spacial awareness and colour (and it's tones ). By implementing these new concepts and coupling them with my ongoing explorations into typography, I was able to lay the foundations of the style of work that would follow and which continues to be a feature of my work today.
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