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I incorporate the many stimuli of the contemporary world transforming them into visions which go beyond everyday life and encapsulate them in a wider and timeless perspective.
In this picture I have painted the mirrored wall of an immense skyscraper from above, where the glass panels reflect big white clouds situated beneath them, while in the distance appears an ocean with various shades of blue.  From a window in the foreground a red carpet hangs down the side of the building until it gets lost in the depths. Does it indicate a way up or down?  How can you follow it?  It is a metaphor for our life.
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions which go beyond everyday life and encapsulate them in a wider and timeless perspective.
In this picture I have painted the mirrored wall of an immense skyscraper from above, where the glass panels reflect big white clouds situated beneath them, while in the distance appears an ocean with various shades of blue.  From a window in the foreground a red carpet hangs down the side of the building until it gets lost in the depths. Does it indicate a way up or down?  How can you follow it?  It is a metaphor for our life.
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions which go beyond everyday life and encapsulate them in a wider and timeless perspective.
In this picture I have painted the mirrored wall of an immense skyscraper from above, where the glass panels reflect big white clouds situated beneath them, while in the distance appears an ocean with various shades of blue.  From a window in the foreground a red carpet hangs down the side of the building until it gets lost in the depths. Does it indicate a way up or down?  How can you follow it?  It is a metaphor for our life.
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions which go beyond everyday life and encapsulate them in a wider and timeless perspective.
In this picture I have painted the mirrored wall of an immense skyscraper from above, where the glass panels reflect big white clouds situated beneath them, while in the distance appears an ocean with various shades of blue.  From a window in the foreground a red carpet hangs down the side of the building until it gets lost in the depths. Does it indicate a way up or down?  How can you follow it?  It is a metaphor for our life.
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
I incorporate the many stimuli of the contemporary world transforming them into visions which go beyond everyday life and encapsulate them in a wider and timeless perspective.
In this picture I have painted the mirrored wall of an immense skyscraper from above, where the glass panels reflect big white clouds situated beneath them, while in the distance appears an ocean with various shades of blue.  From a window in the foreground a red carpet hangs down the side of the building until it gets lost in the depths. Does it indicate a way up or down?  How can you follow it?  It is a metaphor for our life.
I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.
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Abyss Painting

katia scotti

Italy

Painting, Acrylic on Canvas

Size: 39.4 W x 29.5 H x 1.2 D in

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About The Artwork

I incorporate the many stimuli of the contemporary world transforming them into visions which go beyond everyday life and encapsulate them in a wider and timeless perspective. In this picture I have painted the mirrored wall of an immense skyscraper from above, where the glass panels reflect big white clouds situated beneath them, while in the distance appears an ocean with various shades of blue. From a window in the foreground a red carpet hangs down the side of the building until it gets lost in the depths. Does it indicate a way up or down? How can you follow it? It is a metaphor for our life. I paint in oil with a glazing layer, with great attention to detail. The goal of my painting is to involve the spectators by stimulating them to freely interpret the mystery which is hidden behind each painting and offering them, at least in part, the emotions that originally inspired its creation.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 29.5 H x 1.2 D in

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I was born in Feltre in the province of Belluno (Italy); and I am currently based in San Dona di Piave in the province of Venice, Italy. My academic background took place in the city of Venice and was enriched under the directions of Giovanni Soccol, a well established Venetian painter, set designer and architect who has had a numerous important national and international exhibitions during his long artistic career. From master Giovanni Soccol I have learned the painting techniques of the great Italian Old Masters and the attention that must be paid to every aspect of the creation of a work: my oil paintings are carefully given to read glazes, I create colors by mixing pigments with linseed oil, before painting the final work in oil or acrylic on canvas. I make several studies in charcoal and pastels on paper. With another Venetian master Ludovico De Luigi, I have in particular approached the bronze sculpture. My favorite painting techniques are oil, acrylic, charcoal, pastels and fresco painting. I learned the fresco technique from the master Vico Calabrò and I am currently enrolled among the masters of his International School of fresco based in the Santuario dei Santi Vittore e Corona in Feltre, in the province of Belluno, Italy. My subjects are mainly related to the dreamlike and surreal world, where the current is transformed into visual metaphors in which coexist with a broader vision and eternal life. I participated in numerous exhibitions both nationally and internationally.

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