Alaskan Pollock Painting

The Alaska pollock or walleye pollock (Gadus chalcogrammus) is a marine fish species of the cod genus Gadus and family Gadidae. It is a semi-pelagic schooling fish widely distributed in the North Pacific, with largest concentrations found in the eastern Bering Sea. Alaska pollock was long put in its own genus, Theragra, and classified as Theragra chalcogramma, but research in 2008 has shown it is rather closely related to the Atlantic cod and should therefore be moved back to Gadus, where it was originally placed. In 2014, the U.S. Food and Drug Administration revealed that the official scientific name for the fish was changed from Theragra chalcogrammaback to its original taxon Gadus chalcogrammus, highlighting its close genetic relationship to the other species of the cod genus Gadus. The change of the official scientific name was followed by a discussion to change the common name as well, to highlight the fish as a member of the cod genus. The common names "Alaska pollock" and "walleye pollock", both used as trade names internationally, are considered misleading by scientific and trade experts, as the names do not reflect the scientific classification. While belonging to the same family as the Atlantic pollock, the Alaska pollock is not a member of the genus Pollachius, but of the cod genus Gadus. Nevertheless, alternative trade names highlighting its placement in the cod genus, such as "snow cod", "bigeye cod", or direct deductions from the scientific names such as "copperline cod" (gadus meaning 'cod', Latin: chalco- from Greek: khalkós meaning 'copper', and Greek: grammí meaning 'line') or "lesser cod" (from the synonymous taxon Gadus minor) have yet to find widespread acceptance. The National Oceanic and Atmospheric Administration even states that "[the common name] might never change, as common names are separate from scientific names". In addition, Norwegian pollock (Theragra finnmarchica), a rare fish of Norwegian waters, is likely the same species as the Alaska pollock. The speckled coloring of Alaska pollock makes it more difficult for predators to see them when they are near sandy ocean floors. They are a relatively fast-growing and short-lived species, currently representing a major biological component of the Bering Sea ecosystem. It has been found that catches of Alaska pollock go up three years after stormy summers. The storms stir up nutrients, and this results in phytoplankton being plentiful for longer, which in turn allows more pollock hatchlings to survive. The Alaska pollock has well-developed drumming muscles that the fish use to produce sounds during courtship, like many other gadids. The primary factor in determining the foraging behavior of the Alaskan pollock is age. Young pollocks can be divided into two sub-groups, fish with lengths below 60 mm (2.4 in) and fish greater than 60 mm. Both groups mainly feed on copepods. However, the latter group will also forage for krill. Therefore, food depletion has a larger effect on smaller pollocks. The variation in size of each subgroup also affects seasonal foraging behavior. During the winter, when food is scarce, foraging can be costly due to the fact that longer hunting time increases the risk of meeting a predator. The larger young pollocks have no need to hunt during the winter because they have a higher capacity for energy storage, while smaller fish do not, and have to continue foraging, putting them at greater risk. To maximize their chances of survival, large pollock increase their calorie intake in autumn to gain weight, while smaller ones focus solely on growing in size. Alaskan pollock exhibit diel vertical migration, following the seasonal movement of their food. Although pollocks exhibit vertical movement during the day, their average depth changes with the seasons. Originally, the change in depth was attributed to the amount of light or water temperature, but in fact, it follows the movement of food species. In August, when food is abundantly available near the surface, pollocks will be found at shallower depths. In November, they are found deeper along with their planktonic food source. Paul Jackson Pollock /ˈpɒlək/ (January 28, 1912 – August 11, 1956) was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his technique of pouring or splashing liquid household paint onto a horizontal surface ("drip technique"), enabling him to view and paint his canvases from all angles. It was also called All-over painting and "action painting", since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in an alcohol-related single-car accident when he was driving. In December 1956, four months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art (MoMA) in New York City. A larger, more comprehensive exhibition of his work was held there in 1967. In 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London. Pollock was introduced to the use of liquid paint in 1936 at an experimental workshop in New York City by the Mexican muralist David Alfaro Siqueiros. He later used paint pouring as one of several techniques on canvases of the early 1940s, such as Male and Female and Composition with Pouring I. After his move to Springs, he began painting with his canvases laid out on the studio floor and he developed what was later called his "drip" technique. From 1938 to 1942 Pollock worked for the WPA Federal Art Project. During this time Pollock was trying to deal with his established alcoholism; from 1938 through 1941 he underwent Jungian psychotherapy with Dr. Joseph L. Henderson and later with Dr. Violet Staub de Laszlo in 1941–42. Henderson engaged him through his art, encouraging Pollock to make drawings. Jungian concepts and archetypes were expressed in his paintings. Some historians have hypothesized that Pollock might have had bipolar disorder. Pollock signed a gallery contract with Peggy Guggenheim in July 1943. He received the commission to create the 8-by-20-foot (2.4 by 6.1 m) Mural(1943) for the entry to her new townhouse. At the suggestion of her friend and advisor Marcel Duchamp, Pollock painted the work on canvas, rather than the wall, so that it would be portable. After seeing the big mural, the art critic Clement Greenberg wrote: "I took one look at it and I thought, 'Now that's great art,' and I knew Jackson was the greatest painter this country had produced." The catalog introducing his first exhibition described Pollock's talent as "volcanic. It has fire. It is unpredictable. It is undisciplined. It spills out of itself in a mineral prodigality, not yet crystallized.” Pollock's most famous paintings were made during the "drip period" between 1947 and 1950. He became famous following an August 8, 1949 four-page spread in Life magazine that asked, "Is he the greatest living painter in the United States?" Thanks to the mediation of Alfonso Ossorio, a close friend of Pollock and the art historian Michel Tapié, the young gallery owner Paul Facchetti, from March 7, 1952, managed to realize the first exhibition of Pollock's works from 1948 to 1951 in his Studio Paul Facchetti in Paris and in Europe. At the peak of his fame, Pollock abruptly abandoned the drip style. Pollock's work after 1951 was darker in color, including a collection painted in black on unprimed canvases. These paintings have been referred to as his "Black pourings" and when he exhibited them at the Betty Parsons Gallery in New York, none of them sold. Parsons later sold one to a friend at half the price. These works show Pollock attempting to find a balance between abstraction and depictions of the figure. He later returned to using color and continued with figurative elements. During this period, Pollock had moved to the Sidney Janis Gallery, a more commercial gallery; the demand for his work from collectors was great. In response to this pressure, along with personal frustration, his alcoholism deepened. Source: Wikipedia

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 40 H x 1.5 D in

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