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Alice Liddel after Julia Cameron Painting

Batya Kuncman

United States

Painting, Gouache on Canvas

Size: 10 W x 14 H x 0.3 D in

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About The Artwork

In developing portraiture work Batya has recently began using images that were taken at the advent of photography. The painting “Alice” is based the romantic photograph created by of Julia Margaret Cameron in 1872. The image of “Alice in Wonderland” has been represented in a variety of media and with great interest in her portrayal. The original Alice photograph has been brought into color by Batya and captures the vulnerability of the child as a celebrated beauty. At the time of this photograph Alice Liddell was several years older than when Lewis Carroll photographed her and based the story on her character. The mystery of Alice and who she was prompts further investigation as it holds within it as much meaning as the story of Alice in Wonderland.

Details & Dimensions

Painting:Gouache on Canvas

Original:One-of-a-kind Artwork

Size:10 W x 14 H x 0.3 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Work My interest is focused on issues of contemporary painting and image-making, the relationship between flat surface and three-dimensional illusion. While I am influenced by traditional masterworks from different art historical periods the works are also impacted by street art and disposable culture, combining representation, pop art and abstraction. In my work I experiment with the relationship between disciplines- painting, photography and digital and some of the ways in which perception is shaped and distorted by image overload in our hyper-connected environment. My paintings represent the quest for the relief point when multilayered painting styles amalgamate to create a meaningful and visually engaging image; maneuvering very fine graphic elements, realism, expressionism, cartoon and raw bold erasures my work explores the meaning of images, their impact on society, politics, culture, and the role of remote image consumption as it relates to identity, taste, mortality and fragmentation of self and culture.

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