VIEW IN MY ROOM
Painting, Acrylic on Canvas
Size: 80 W x 40 H x 1.5 D in
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The overview effect is a cognitive shift in awareness reported by some astronauts during spaceflight, often while viewing the Earth from outer space. It is the experience of seeing first-hand the reality of the Earth in space, which is immediately understood to be a tiny, fragile ball of life, "hanging in the void", shielded and nourished by a paper-thin atmosphere. History: The term and concept were coined in 1987 by Frank White, who explored the theme in his book The Overview Effect — Space Exploration and Human Evolution (Houghton-Mifflin, 1987; AIAA, 1998). In August 2020, anthropologist Deana L. Weibel introduced the parallel term ultraview effect, a subjective response of intense awe some astronauts have experienced viewing large "starfields" while in space, and discussed the impact of the overview effect and the ultraview effect on astronauts' religious beliefs. Accounts: Cosmonaut Yuri Gagarin, astronauts Michael Collins, Rusty Schweikart, Edgar Mitchell, James Irwin, Tom Jones, Ron Garan, Scott Kelly, Mike Massimino, André Kuipers, Chris Hadfield, Sally Ride, Anne McClain, and space tourist William Shatner are all reported to have experienced the effect. "The thing that really surprised me was that it [Earth] projected an air of fragility. And why, I don't know. I don't know to this day. I had a feeling it's tiny, it's shiny, it's beautiful, it's home, and it's fragile." — Michael Collins, Apollo 11 "Everybody in the world needs to do this. Everybody in the world needs to see. It was unbelievable. Unbelievable. I mean, the little things, the weightlessness. But to see the blue color go whip by, and now you're staring into blackness. That's the thing. The covering of blue is this sheet, this blanket, this comforter of blue that we have around. We think, "Oh, that’s just blue sky." And there's something you shoot through, and all of a sudden, as though you whip a sheet off you when you’re asleep, and you're looking into blackness, into black ugliness. And you look down. There's the blue down there and the black up there. And there is mother Earth and comfort. And up there... Is that death? I don't know." — William Shatner, New Shepard 18 Reproducing the Effect: In 2018, the Spacebuzz project was created so "children around the world can also get to experience the Overview Effect." It was announced in a press release on December 20 by astronaut André Kuipers on the European Space Agency's (ESA) website. Spacebuzz aims to give children an overview effect like experience using virtual reality (VR) in order to have the same insight astronauts have when seeing planet Earth from space. Spacebuzz is a project started by the Overview Effect Foundation backed by ESA and the Netherlands Space Office. In late 2019, it was reported that researchers at the University of Missouri aimed to reproduce the experience, with an isolation tank, half a tonne of Epsom salts, and a waterproof VR headset. Source: Wikipedia Tony Stark: You know, if it wasn't for the existential terror of staring into the literal void of space, I'd say I'm feeling a little better today.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:80 W x 40 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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