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Beach House Painting

Christopher Vasil

United States

Painting, Acrylic on Canvas

Size: 16 W x 20 H x 0.2 D in

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$665

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About The Artwork

Seashells have played a part in religion and spirituality, sometimes even as ritual objects. In Christianity, the scallop shell is considered to be the symbol of Saint James the Great, see Pecten jacobaeus. In Hinduism left-handed shells of Turbinella pyrum (the sacred shankha) are considered to be sacred to the god Vishnu. The person who finds a left-handed chank shell (one that coils to the left) is sacred to Vishnu, as well. The chank shell also plays an important role in Buddhism. Cowries have often been considered to be symbols of female fertility. They were often treated as actual fertility charms. The dorsum of the shell resembles a pregnant belly, and the underside of the shell resembles a vulva. In the South Indian state of Kerala, cowries are used for making astrological predictions. In the Santería religion, shells are used for divination. The Moche culture of ancient Peru worshipped animals and the sea, and often depicted shells in their art.[4] In Christianity, the top of the sand dollar represents the Star of Bethlehem that led the Wise Men to the manger of Christ. Outside the "star" you will see the Easter Lily, a sign of Jesus' Resurrection. There are four holes that represent the holes in the Lord's hands and feet. The center hole is the Wound to His Sacred Heart by the spear of Longinus. On the other side of the sand dollar, you will see Poinsettia. Lastly, if you break open the sand dollar, five doves will come out, the doves of Peace and Joy.[5] -Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:16 W x 20 H x 0.2 D in

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I was born in Cleveland, Ohio and has been living in sunny Southern Delaware since 2000. I work in different mediums and have a range that expands the stylistic spectrum from realism to abstract expressionism. My work can be found in private and corporate collections. I feel I have broken new ground with my recent abstracts using my own proprietary processes for exploiting the properties of the pigments to create organically occurring patterns only marginally facilitated by my input. I've also learned to paint watercolor landscapes in such a way that creation feels more like I'm observing an accelerated geological process than making a painting. ' Effective November 14th, 2020 I've been confining myself to painting representationally in to grey tones and abstracts in color. If art was food, the tonal paintings are the meat and starch and the abstracts the hors d'oeuvres and desserts.

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