VIEW IN MY ROOM
Chopin - Ballade No. 1 in G minor, Op. 23 Painting
South Korea
Painting, Oil on Soft (yarn, Cotton, Fabric)
Size: 60.6 W x 55.1 H x 0 D in
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About The Artwork
There is only one flat surface, that is, life is a one-time occurrence, and I attach great importance to a single brush stroke on a flat surface. The colors become brushstrokes at the same time, which reflects the lively spirit of oriental painting. Sometimes leaving a blank space is a breathing of the remaining strokes and empty space, so the empty space is no longer a blank space, but a poetic place for the strokes. For the painting, gesso was applied on cotton cloth and only high-quality oil paintings were used. The surface showing the weave of the cotton fabric and the white space are important. Weave resists the speed of the brush, and I use this resistance to allow the viewer to detect the traces of conscious will. The empty space is suddenly compared to the stage, but it is still working with other movements, although the lighting is not turned on. This painting is unstretched canvas .
Details & Dimensions
Painting:Oil on Soft (yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:60.6 W x 55.1 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
" Colors produce the most beautiful when I most honestly reveal emotions. " I am a painter based in Seoul. The structural observation of Mother Nature through curves and primal forces is a visual element connected to musical composition techniques. I was strongly attracted to musical composition techniques, especially serialism, and at the point when I tried to use the musical forms of Messiaen and Schinberg in paintings, the perspective of representation in my paintings from looking at real objects had already changed significantly. My view of art is completely connected to Greek and Roman art and oriental calligraphy, blank space aesthetic conditions. Henri Matisse(1869-1954) still plays a guiding role in my paintings. decoration is pursued within two-dimensional synthesis. This is because I am a person who pursues purity in life. That is when I am happiest. The ultimate reason for drawing is to think deeply about how and to what extent I should act within the triangle of human will and freedom.
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