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In, "Cosmic Ejaculation I" try to connect the public with the idea that the cosmos is a series of rhythms of sexual ejaculations. According to Hermes Trismegisto "that which is above is as that which is below and that which is below is as that which is above". That maxim as paradox is well worth to emulate with a simple patch of magenta and a bit of yellow between the strands of wool coming of a chow chow dog, a nebula of sperm strands coming out of it. This paradoxical dialogue between the cosmos and the work is printed in aluminium neatly worn with abrasive media to raise more topic recreating surround energies of bright lights falling on electrifying curls. The technique used is mixed on aluminum; the media are: hair of dog chow chow, industrial painting (magenta and yellow colors) and aluminium foil suspended base, 2 mm thick; its dimensions are: 17.0 cm x 24.7 cm, made in the year 2015, is signed on the back and don't need framework (recommend framing the work suspended in a dark or white box).
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Cosmic Ejaculation I Painting

William Rafael Marquina Buitrago

Ecuador

Painting, industrial painting on Aluminium

Size: 9.7 W x 6.7 H x 1.2 D in

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About The Artwork

In, "Cosmic Ejaculation I" try to connect the public with the idea that the cosmos is a series of rhythms of sexual ejaculations. According to Hermes Trismegisto "that which is above is as that which is below and that which is below is as that which is above". That maxim as paradox is well worth to emulate with a simple patch of magenta and a bit of yellow between the strands of wool coming of a chow chow dog, a nebula of sperm strands coming out of it. This paradoxical dialogue between the cosmos and the work is printed in aluminium neatly worn with abrasive media to raise more topic recreating surround energies of bright lights falling on electrifying curls. The technique used is mixed on aluminum; the media are: hair of dog chow chow, industrial painting (magenta and yellow colors) and aluminium foil suspended base, 2 mm thick; its dimensions are: 17.0 cm x 24.7 cm, made in the year 2015, is signed on the back and don't need framework (recommend framing the work suspended in a dark or white box).

Details & Dimensions

Painting:industrial painting on Aluminium

Original:One-of-a-kind Artwork

Size:9.7 W x 6.7 H x 1.2 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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