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Deluge Painting

Counsel Langley

United States

Painting, Acrylic on Wood

Size: 24 W x 24 H x 2 D in

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$2,170

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About The Artwork

from series: At the Edge of All We Have Built. Which at its core is hopeful. It is the questioning of boundaries, and taking time to look beyond what we've created and have assumed to be true. It is a celebration of those strange, and sometimes lonesome, folks that walk the boundaries. Visually, the series takes a cue from scenic turnouts—those delightful opportunities to pull off our highways, get out of the vehicle, and walk to the very edge of our infrastructure so that we may gaze at the sheer beauty of nature as it sprawls before us. What if we move off planet—why would we not still build those opportunties? A chance to view a particularly stunning nebulae, galaxies, birthplaces of stars. The characters here are mostly in a contemplative isolation, alone with the vista and their thoughts and questions. And, like the silhouettes common to folktale illustration, they are anonymous and therefore can be any of us, all of us. Always mixing sci-fi and outer space, big universals, right in with the humble, day-to-day, the personal, and no less so with this series. It is about our end times, it is about where the sidewalk ends, the moment when we have built to the edge of our capacity. And, it is also simply the view a parent most frequently has, especially when your children are teenagers. You have built a family, you have helped children develop skills, morals, and a collection of experiences. You build all this together so that they take it to the very edge, say “what the heck is over there?” —off they go to find out. And, the hope is they are equipped to find out.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Counsel Langley grew up among shipwrights and foundry workers—people with strong traditional skills and respect for materials. Their influence played a large part in her choice to study metalsmithing at Massachusetts College of Art (earned her Bachelor’s of Fine Art, 1999). The rigor of metalwork honed Langley’s discipline, steady hand, attention for detail, and love for surface treatment (rough, smooth, matte, shiny, sparkly, natural, mechanical etc). Her work remains rooted in a metalsmith’s approach to making art. Langley’s mixed media pieces have been widely exhibited; venues include the Museum of Northwest Art, Roq La Rue, International Gallery of Contemporary Art, PUB Gallery at Peninsula College, OGHE Ltd., and Bridge Productions, and was recently featured in a Microsoft Surface Launch Campaign. Her work is held by the Seattle City Light Portable Works Collection and ArtsWA Public Collection. Langley’s work has been featured in Seattle Magazine, City Arts Magazine, Meat For Tea: The Valley Review, Trickhouse, Beautiful/Decay blog. Her love for cross-discipline collaborations sparked opportunities to work with literary publications Filter Literary Journal, Poetry Northwest Magazine, the creation of album art, scenic design, and illustration.

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