VIEW IN MY ROOM
Canada
Painting, Enamel on Wood
Size: 65 W x 45 H x 2 D in
Ships in a Crate
Evidence of Deconstructed Television Parts (1992) tar, enamel paint, electrical wire, polyurethane, gouged plywood This is a painting about the meaning of the word deconstruction by collaging coloured electrical wire into V shaped grooves on plywood. I used a destructed TV for parts which were further disassembled. I made an enlarged pattern from those parts which was gouged out of the plywood. I painted the plywood with tar and the gouged areas with white enamel paint. I threw primary coloured enamel paint plus white at the design. I employed oil based polyurethane to wrinkle the fresh paint in completing the non-objectively gouged and painted collage. Think about when this work turned into a painting with meanings! Was the differance in the title? While it is true that I dismantled both the TV and disrupted the plywood's surface, I believe those acts only served as a metaphor for a deconstruction event which really is more cognitive as in ideas rather than methods. This reductive method of gouging also resulted in an artwork with more surface area in the plywood and less material.
Multi-paneled Painting:Enamel on Wood
Original:One-of-a-kind Artwork
Size:65 W x 45 H x 2 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
GOOGLE LINK TO FLICKR ALBUMS: https://www.flickr.com/photos/188681981@N03/albums//////////////////////////////////////////////////////////////////////////////////// I've described my work as deconstructivist painting after reading Jacques Derrida's book The Truth in Painting (1987). Those ideas persuaded me to attend the University of Victoria where I earned my BFA (Hons) by 1992. The target was to develop a symbolic metalanguage to facilitate deconstructive events while perusing the ideas of painting in Western art history. I have expressed myself conceptually through gouged plywood painting, encaustic painting, kinetic painting, glitter painting, nano painting and pure substrateless painting in a style I think of as reductive but thoughtful.
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