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Fast Car Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 48 H x 1.5 D in

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About The Artwork

You got a fast car I want a ticket to anywhere Maybe we make a deal Maybe together we can get somewhere Any place is better Starting from zero, got nothing to lose Maybe we'll make something Me, myself, I got nothing to prove You got a fast car I got a plan to get us out of here I been working at the convenience store Managed to save just a little bit of money Won't have to drive too far Just 'cross the border and into the city You and I can both get jobs And finally see what it means to be living See, my old man's got a problem He lives with the bottle, that's the way it is He says his body's too old for working His body's too young to look like his My mama went off and left him She wanted more from life than he could give I said, somebody's got to take care of him So I quit school and that's what I did You got a fast car Is it fast enough so we can fly away? We gotta make a decision Leave tonight or live and die this way So I remember we were driving, driving in your car Speed so fast, I felt like I was drunk City lights lay out before us And your arm felt nice wrapped 'round my shoulder And I-I, had a feeling that I belonged I-I had a feeling I could be someone, be someone, be someone You got a fast car We go cruising to entertain ourselves You still ain't got a job And I work in a market as a checkout girl I know things will get better You'll find work and I'll get promoted We'll move out of the shelter Buy a bigger house and live in the suburbs So I remember when we were driving, driving in your car Speed so fast, I felt like I was drunk City lights lay out before us And your arm felt nice wrapped 'round my shoulder And I-I, had a feeling that I belonged I-I had a feeling I could be someone, be someone, be someone You got a fast car I got a job that pays all our bills You stay out drinking late at the bar See more of your friends than you do of your kids I'd always hoped for better Thought maybe together you and me would find it I got no plans, I ain't going nowhere So take your fast car and keep on driving So I remember when we were driving, driving in your car Speed so fast, I felt like I was drunk City lights lay out before us And your arm felt nice wrapped 'round my shoulder And I-I, had a feeling that I belonged I-I had a feeling I could be someone, be someone, be someone You got a fast car Is it fast enough so you can fly away? You gotta make a decision Leave tonight or live and die this way ‘Fast Car’ by Tracy Chapman Songwriter: Tracy L. Chapman "Fast Car" is a song written and recorded by American singer Tracy Chapman. It was released on April 6, 1988 as the lead single from her 1988 self-titled debut studio album. Her appearance on the Nelson Mandela 70th Birthday Tribute was the catalyst for the song's becoming a top-ten hit in the United States, peaking at number six on the Billboard Hot 100. In the United Kingdom, it peaked at number four on the UK Singles Chart. "Fast Car" received two Grammy nominations for Record of the Year and Song of the Year, as well as a MTV Video Music Award nomination for Best Female Video in 1989. According to Metro Weekly critic Chris Gerard, "Fast Car" tells a grittily realistic story of a working poor woman trying to escape the cycle of poverty, set to folk rock music. The song's arrangement was described by Orlando Sentinel writer Thom Duffy as "subtle folk-rock", while Billboard magazine's Gary Trust deemed the record a "folk/pop" song. Dave Marsh said it was perhaps an "optimistic folk-rock narrative", whose characters are in a homeless shelter. Tracy Chapman is the self-titled debut album by singer-songwriter Tracy Chapman, released on April 5, 1988, by Elektra Records. The album was recorded at the Powertrax studio in Hollywood, California. In 1987, Chapman was discovered by fellow Tufts University student Brian Koppelman. He offered to show her work to his father, who owned a successful publishing company; however, she did not consider the offer to be serious. After multiple performances, however, Koppelman found a demo tape of her singing her single "Talkin' 'bout a Revolution", which he promoted to radio stations, and she was eventually signed to Elektra Records. In early attempts to produce the first album, many producers turned down Chapman as they did not favor her musical direction. David Kershenbaum, however, decided to produce it as he wanted to record an acoustic music album. It was recorded in Hollywood, California in eight weeks. Most of the writing is based on political and social causes. Tracy Chapman gained critical acclaim from a wide majority of music critics, praising the simplicity, Chapman's vocal ability and her political and social lyrical content. The album received commercial success in most of the countries it was released, making it to the top of the charts in many countries, including Austria, New Zealand, Switzerland, Denmark, and the United Kingdom. It peaked at No. 1 on the US Billboard 200 and was certified six-times platinum by the Recording Industry Association of America (RIAA), with sales exceeding over six million copies in the United States alone. Three singles were released from the album, with the most commercially successful single being "Fast Car". The song was performed at the Nelson Mandela 70th Birthday Tribute. It rose to the top ten on the US Billboard Hot 100 and also did well in Australia, New Zealand, Ireland, the United Kingdom, and other European countries. Tracy Chapman is one of the best-selling albums of all time. Tracy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits "Fast Car" and "Give Me One Reason", along with other singles "Talkin' 'bout a Revolution", "Baby Can I Hold You", "Crossroads", "New Beginning", and "Telling Stories". She is a multi-platinum and four-time Grammy Award–winning artist. Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut album Tracy Chapman, which became a multi-platinum worldwide hit. The album earned Chapman six Grammy Awardnominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single "Fast Car", and Best New Artist. Chapman released her second album Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single "Give Me One Reason". Chapman's most recent album is Our Bright Future, released in 2008. Source: WIkipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 48 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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