"Fearless" Painting
Painting, Acrylic on Canvas
20 W x 24 H in
Ships in a Box
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$2,082
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This piece was created as an exploration of the act of painting. Huppman uses bold complementary colors and generous amounts of paint in this smaller format painting. She manipulates the paint assertively, gesturally, adding and subtracting, smoothing and scraping. In this piece Huppman is forging a...
Year Created:
2020
Subject:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
20 W x 24 H x 0.8 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Every painting starts with a leap into the unknown. I choose the direction but there are always unexpected discoveries along the way.
My work is very much driven by my process. Through this process of creation and destruction, by adding layers and elements and then erasing, effacing and obscuring them, the piece “becomes itself”. It is a material artifact of the constant struggle for balance in life.
I make luminous and atmospheric abstract paintings. My paintings do not insist on any particular interpretation. My work ranges from the stillness of weightless color field to more active compositions comprised of a personal visual language of gesture and form that, like music, speaks directly to the psyche. My work is an invitation to the viewer to pause, an encouragement to reawaken and to connect to a sphere beyond our shallow, unsatisfying and overly technological world.
Art is a portal to the vastness within and without. Art connects us to the boundlessness of possibility. Art gives us hope.
I studied Art History at Princeton, as well as painting, under Michael David, Harvey Quaytman and Heidi Gluck but particularly under the tutelage of Sean Scully who was my thesis show advisor. I studied Critical Theory under David Shapiro, himself a student of Meyer Shapiro, and and while I thoroughly enjoy a good critical shredding, in the end, art is good if you, the viewer, like it.
Recognition:
Artist featured in a collection
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