Green Goblin Painting

A goblin is a monstrous creature that appears in the folklore of multiple European cultures, first attested in stories from the Middle Ages. They are ascribed various and conflicting abilities, temperaments and appearances depending on the story and country of origin. They are almost always small and grotesque, mischievous or outright malicious, and greedy, especially for gold and jewelry. They often have magical abilities similar to a fairy or demon. Similar creatures include brownies, dwarfs, duendes, gnomes, imps, and kobolds. Alternative spellings include gobblin, gobeline, gobling, goblyn, goblino, and gobbelin. English goblin is first recorded in the 14th century and is probably from unattested Anglo-Norman *gobelin, similar to Old French gobelin, already attested around 1195 in Ambroise of Normandy's Guerre sainte, and to Medieval Latin gobelinus in Orderic Vitalis before 1141, which was the name of a devil or daemon haunting the country around Évreux, Normandy. It may be related both to German kobold and to Medieval Latin cabalus - or *gobalus, itself from Greek κόβαλος (kobalos), "rogue", "knave", "imp", "goblin". Alternatively, it may be a diminutive or other derivative of the French proper name Gobel, more often Gobeau, diminutive forms Gobelet, Goblin, Goblot, but their signification is probably "somebody who sells tumblers or beakers or cups". Moreover, these proper names are not from Normandy, where the word gobelin, gobelinus first appears in the old documents. German Kobold contains the Germanic root kov- (Middle German Kobe "refuge, cavity", "hollow in a rock", Dial. English cove "hollow in a rock", English "sheltered recess on a coast", Old Norse kofi "hut, shed" ) which means originally a "hollow in the earth". The word is probably related to Dial. Norman gobe "hollow in a cliff", with simple suffix -lin or double suffixation -el-in (cf. Norman surnames Beuzelin, Gosselin, Étancelin, etc.) The Welsh coblyn, a type of knocker, derives from the Old French gobelin via the English goblin. The term goblette has been used to refer to female goblins. European folklore and collected folk stories A redcap is a type of goblin who dyes its hat in human blood in Anglo-Scottish border folklore. Hobgoblins are friendly trickster goblins from English, Scottish, and Pilgrim folklore and literature. The Benevolent Goblin, from Gesta Romanorum (England) The Erlking is a malevolent goblin from German legend. The Trasgu is a Northern Spanish and Northern Portuguese mythological creature of Celtic and Roman origin. "The Goblin Pony", from The Grey Fairy Book (French fairy tale) "The Goblins at the Bath House" (Estonia), from A Book of Ghosts and Goblins (1969) "The Goblins Turned to Stone" (Dutch fairy tale). King Gobb (Moldovan Gypsy folktale) Goblins are featured in the Danish fairy tales:The Elf Mound, The Goblin and the Grocer, and The Goblin and the Woman. Goblins are featured in the Norwegian folktale The Christmas Visitors at Kvame. Goblins are featured in the Swedish fairy tales The Four big Trolls and little Peter Pastureman, and Dag, and Daga and the Flying Troll of Sky Mountain where they alongside sprites and gnomes live among trolls. Goblins are Featured in the French fairy tale called The Golden Branch. Goblins are featured in English, Scottish, and Irish Folklore where they are described as roaming around in marauding bands that pillage farms and villages, commune with the dead (especially on Halloween), and sell goblin fruits Goblin-like creatures in other cultures A pukwudgie is a type of goblin from Wamponoag folklore as well as Cryptozoology The Muki (mythology) is a pale goblin who lives in caves in the Andes in Quechuan folklore. Many Asian lagyt creatures have been likened to, or translated as, goblins. Some examples for these: Chinese Ghouls and Goblins (England 1928) The Goblin of Adachigahara (Japanese fairy tale) The Goblin Rat, from The Boy Who Drew Cats (Japanese fairy tale) Twenty-Two Goblins (Indian fairy tale) In South Korea, goblins, known as dokkaebi (도깨비), are important creatures in folklore. They usually appear in children's books. The nursery song 'Mountain Goblin(산도깨비)' tells of meeting a goblin and running away to live. In Bangladesh, Santal people believe in gudrobonga which is very similar to goblins. Other Goblins had been identified with creatures from another culture, goblins sometimes became identified with jinn in Islamic culture. The Green Goblin is the alias of several fictional supervillains appearing in American comic books published by Marvel Comics. The first and best known incarnation, Norman Osborn, created by Stan Lee and Steve Ditko, is generally considered to be the archenemy of Spider-Man. Originally a manifestation of chemically induced insanity, others such as Harry Osborn would take on the persona. The Green Goblin is a Halloween-themed supervillain whose weapons resemble bats, ghosts and jack-o'-lanterns. Comics journalist and historian Mike Conroy writes of the character: "Of all the costumed villains who've plagued Spider-Man over the years, the most flat-out unhinged and terrifying of them all is the Green Goblin." The Green Goblin has appeared in several films including 2002's Spider-Man as Norman Osborn, and 2004's Spider-Man 2, 2007's Spider-Man 3 and 2014's The Amazing Spider-Man 2 as Harry Osborn. According to Steve Ditko: Stan's synopsis for the Green Goblin had a movie crew, on location, finding an Egyptian-like sarcophagus. Inside was an ancient, mythological demon, the Green Goblin. He naturally came to life. On my own, I changed Stan's mythological demon into a human villain. The Green Goblin debuted in The Amazing Spider-Man #14. At this time his identity was unknown, but he proved popular and reappeared in later issues, which made a point of his secret identity. According to both Stan Lee and John Romita, Sr., who replaced Ditko as the title's artist, Lee always wanted the Green Goblin to be someone Peter Parker knew, while Ditko wanted his civilian identity to be someone who hadn't yet been introduced. Lee elaborated: Steve wanted him to turn out to be just some character that we had never seen before. Because, he said, in real life, very often a villain turns out to be somebody that you never knew. And I felt that that would be wrong. I felt, in a sense, it would be like cheating the reader. ... if it's somebody you didn't know and had never seen, then what was the point of following all the clues? I think that frustrates the reader. However, Lee prefaced this statement by admitting that, due to his self-professed poor memory, he may have been confusing the Green Goblin with a different character. Moreover, in an earlier essay he had said that he could not remember whether Norman Osborn being the Green Goblin was his idea or Ditko's. Ditko has maintained that it was his idea, even claiming that he had decided on it before the first Green Goblin story was finished, and that a character he drew in the background of a single panel of Amazing Spider-Man #23 was meant to be Norman Osborn (who is not introduced until issue #37). Ditko left the series with issue #38, just one issue after Norman Osborn was introduced as the father of Harry Osborn. The first issue without Ditko saw the Green Goblin unmasked. John Romita, Sr., who replaced Ditko as the title's artist, recalled: Stan wouldn't have been able to stand it if Ditko did the story and didn't reveal that the Green Goblin was Norman Osborn. I didn't know there was any doubt about Osborn being the Goblin. I didn't know that Ditko had just been setting Osborn up as a straw dog. I just accepted the fact that it was going to be Norman Osborn when we plotted it. I had been following the last couple of issues and didn't think there was really much mystery about it. Looking back, I doubt the Goblin's identity would have been revealed in Amazing #39 if Ditko had stayed on. In the landmark story, "The Night Gwen Stacy Died" (The Amazing Spider-Man #121–122), the Green Goblin kills Gwen Stacy and later perishes in a fight against Spider-Man. However, the story's writer, Gerry Conway, had Harry Osborn adopt the Green Goblin identity in that story's aftermath, later remarking that "I never had any intention of getting rid of the Green Goblin as a concept". Harry Osborn's becoming the Green Goblin was mostly well-received, with fans remarking that Harry was more menacing than his father had ever been. Several other characters would take on the Green Goblin identity, and writer Roger Stern later introduced the Hobgoblin to replace the Green Goblin as Spider-Man's archenemy. In addition, a retcon during the "Clone Saga" determined that the original Green Goblin survived the events of The Amazing Spider-Man #122 and had been playing a behind-the-scenes role in Spider-Man's adventures since then. Source: Wikipedia

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 60 H x 1.5 D in

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