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Icon of “You are a priest forever in the order of Melchizedek” “Christ crucified Seraphim / Crucifixion in the bosom of the Father / Soul of Christ” Painting

Aleksey Kudlay

Russia

Painting, Tempera on Wood

Size: 18 W x 24 H x 1 D in

This artwork is not for sale.
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About The Artwork

↓ ↓ ↓ ▲ PAINTING: Wood, “Kovcheg” (cut-back centre portion), “Levkas” (Gesso), “Pavoloka” ( fabric/piece of cloth), Egg Tempera, Gold Leaf/Gilding HANDMADE ICON Original is sold. Fine Art Print is available. Perfect for a small wall decor. This print will be an excellent gift and will look authentic in both contemporary and traditional interiors. 
This print will bring an appeasement into your house your bedroom or living room. Ready to hang. Includes Certificate of Authenticity. The colors of the original paintings may slightly vary from what they appear on computer monitors/mobile screens due to different camera/PC monitor/mobile screen resolution and settings. The Icons look like a real medieval Russian art, written by old masters of the 16th - 17th – centuries. All my paintings are stylized as antiqued and made in the classic technique of old Masters. ▲ Note: The icons have a number of specific features: cracks (“craquelures”); imitation of loss of the “levkas” and the paint layer. A pattern of minute surface cracks (a network of fine cracks) on painted surface. I developed my own unique technique and technology imitation of craquelure, loss of the “levkas” (gesso) and the paint layer. The crack patterns are artificial (handmade). The craquelure varnish was not used for the stylization! The icons are made to appear aged through the use of artificial methods and various techniques. The majority of the Icons, I have created were painted on aged wood, however, at times I have had to resort to the use of boards created and carved with my own hands, and subsequently aged artificially. In particular, this icon board created and carved with my own hands, and subsequently aged artificially. The “kovcheg” (cut-back centre portion) is deep, with two thin connected cut in the reverse side. All Icons are executed in accordance with the canon, iconographic traditions and iconography technique. The traditional iconography basically imitate rare extant icons of the 16th - 17th – centuries. The icons look old-time (old style/16th - 17th – centuries style) and very similar to the original icons of the 16th - 17th – centuries style. Icon of “You are a priest forever in the order of Melchizedek”, also known as the “Christ crucified Seraphim” (Crucifixion in the bosom of the Father) or “Soul of Christ”. Multifigure composition. This is an uncommon and rather interesting icon type called “Christ crucified Seraphim.” This extremely rare icon depicts an unusual subject. The icon depicts the scene of the Crucifixion Soul of Christ. Christians believe that Jesus is the Messiah spoken of as "a priest forever in the order of Melchizedek" (Ps. 110:4), and so Jesus plays the role of the king-priest once and for all. According to the writer of Hebrews (7:13-17) Jesus is considered a priest in the order of Melchizedek because, like Melchizedek, Jesus was not a descendant of Aaron, and thus would not qualify for the Jewish priesthood under the Law of Moses. Melchizedek is referred to again in Hebrews 5:6-10; Hebrews 6:20; Hebrews 7:1-21: "Thou art a priest forever after the order of Melchizedek"; and Hebrews 8:1. And verily they that are of the sons of Levi, who receive the office of the priesthood, have a commandment to take tithes of the people according to the law, that is, of their brethren, though they come out of the loins of Abraham: But he whose descent is not counted from them received tithes of Abraham, and blessed him that had the promises" (Hebrews 7:5-6). Catholics find the roots of their priesthood in the tradition of Melchizedek (CCC 1544). In Genesis 14:18, Melchizedek offers a sacrifice of bread and wine. Christ therefore fulfilled the prophecy of Ps 110:4, that he would be a priest "after the order of Melchizedek" at the Last Supper, when he broke and shared bread with his disciples. Let me know if you have any questions! I will be happy to answer. Thanks for looking!

Details & Dimensions

Painting:Tempera on Wood

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1951 Moscow, Russia. Alexey haven’t got a formal education in the fine arts but since the early 1970’s he learnt the style of old icon-painter masters. His first icon (wood, canvas, gesso, tempera) was created in 1974. He became a member of the Union of Artists of Russia under the UNESCO International Federation of Artists in 1977 He was honored by being blessed by His Holiness Alexey II the Patriarch of Moscow and all of Russia in January 1995. Since 1996, he was making the icons in a style of late XVIII-XIX century’s masters. But in 1998 he returned to the creation of icons with white background. For this moment he created more than 500 icons, inclusive of over 25 triptych-icons. His icons look old-time and very similar to the original icons of the 16th century. Most works are in private collections in Russia, USA and throughout Europe. His works are placed in Churches, Temples and Monasteries also. The artist-restorer, the member of the Grabar’s Art Conservation Center, Honored Cultured of the Russian Federation, Honored Artist of the Russian Federation, laureate of State prizes, the recognized authotity of the art-restorers world Adolf N. Ovchinnikov says about Alexey's works: “Aleksey Kudlay is the master of popularization of the ancient Russian art who adds his author’s elements there and brings this culture in the everyday life of Russian people.” Another famous restorer, the Chairman of the Collectors’ club of the Russian Cultural Foundation, Honored Cultured of Russia, academician of the Russian Academy of Natural Sciences (RANS), holder of the order of Holy Prince Daniel of Moscow Saveliy V. Yamshikov wrote: “Dear Aleksey, I used to send introductory articles to the previous catalogues of the icons painted by you. I am not in the habit of making a formal reply just for my friends’ pleasure; still then, I could see not only broken concepts in your creative work but sincere effort and purity of spiritual thought in icon painting. I did not accept totally everything that you used to do in your early creative period, but your hankering after the work in this gracious field promised fruitful and mature results.

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