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"In Full Bloom" Painting

→ Nasir Hussain, United States

Painting, Acrylic on Canvas

18 W x 24 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$655

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


In Full Bloom is an original abstract painting in acrylic. Layers of bright, floral color open across the surface like a garden at its peak, giving the work a joyful, abundant energy.

Year Created:

2026

Subject:

Styles:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18 W x 24 H x 1.5 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Nasir Hussain

About the Artist

Nasir Hussain

United States

Hi, I’m Nas.

I’m a lawyer, a husband, a dad to two daughters, and a painter. That last part is the newest.

I began painting in 2025, during a career transition after nearly a decade at a law firm. Leaving made me think about how much of my identity I had built around my work, and what else I wanted to give my time to. I still cared deeply about being a good lawyer. I also wanted to explore parts of myself that I hadn’t given much attention.

Painting was one of them. I picked it up without knowing where it would lead. What began as a way to try something different became something I wanted to keep coming back to.

I work primarily with acrylics on canvas and wood, building up color and texture and seeing where they take me. A painting can change quite a bit along the way. I’ll add something, reconsider it, paint over it, and sometimes find that a trace of an earlier version is what makes the whole thing work.

That process has become a big part of why I paint. I get to make a decision without having every next step worked out. I’m learning when to keep going, when to leave something alone, and when to trust what I like—even if someone else would have chosen differently.

You’ll see that range in the work. Some paintings are full of movement and competing colors. Others are quieter, with small shifts that take longer to notice. Texture and layers keep drawing me back; I like that a painting can give you a different experience up close than it does from across a room.

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