"In the Light" Painting
Painting, Ink on Other
20.1 W x 19.3 H in
Framed, Ready to Hang
$1,080
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Batik, ink and dye on tea bags. Hot wax was used to trace this image from a drawing onto the tea bag ‘fabric’, then dyed. The image was further defined with ink
Year Created:
2020
Subject:
Mediums:
Painting, Ink on Other
Rarity:
One-of-a-kind Artwork
Size:
20.1 W x 19.3 H x 1.2 D in
Ready to Hang:
Yes
Frame:
Other
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Slovakia.
Customs:
Shipments from Slovakia may experience delays due to country's regulations for exporting valuable artworks.
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About the Artist
Melanie Radoja
My practice is rooted in a deep reverence for the natural world — a place of intricate beauty, complexity, and constant inspiration. Immersed in environments rich with colour, pattern, texture, and exquisite linear detail, I explore the intersection between observation and interpretation.
Found materials from the forest — fragments of the landscape itself — often become part of my process. I work on unconventional surfaces such as dried tea bags, which absorb pigment in unpredictable ways, creating organic variations in tone and texture that echo the irregularities of nature. These materials not only carry a physical trace of the natural world but also a quiet history of time and transformation.
Enlarged studies of natural forms invite the viewer to see familiar elements anew — sometimes evoking delight, other times a subtle discomfort, especially when colour is exaggerated or unexpectedly manipulated. This tension between beauty and unease is something I intentionally explore.
At its core, my work is a celebration of line, tone, texture, and colour — but also a meditation on our emotional and sensory connection to the environment. Through close observation and experimental techniques, I aim to honour the details that often go unnoticed.
Recognition:
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