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"Inside Out" Painting

→ Pam Y Rim, United States

Painting, Oil on Linen

48 W x 36 H in

Ready to Hang

$10,127

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This painting was created during the darkest evenings of 2025, in the quiet months shaped by early sunsets and long stretches of solitude. As the season moved toward the Winter Solstice, the promise of returning light became both literal and spiritual. On December 21, I felt compelled to take a ris...

Year Created:

2025

Subject:

Mediums:

Painting, Oil on Linen

Rarity:

One-of-a-kind Artwork

Size:

48 W x 36 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

Contact us.
Pam Y Rim

About the Artist

Pam Y Rim

United States

I'm an oil painter based in New York City, devoted to visualizing my ascension toward my higher self—closer to God. With a background in engineering and statistics, I paint with both precision and reverence, guided by an understanding of how light shapes form and how probability reveals pattern. My work merges the logic of science with the transcendence of the divine.

Each painting is a devotional act—an offering born from prayer, gratitude, and surrender. My practice centers on a single question: What does divine presence feel like? I explore this through the language of the natural world—the depth of waves, the living architecture of coral reefs, and the way light filters through water like grace through stained glass.

My process builds upon the Old Masters’ tradition of indirect painting, reimagined to express the miraculous rather than the material. Instead of transparent glazes, I layer diffused, opaque light over form, allowing illumination to emerge from within. This inversion creates an atmosphere of mystery and reverence—echoing the quiet, redemptive presence of God.

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