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Oil on canvas
Oil
Detailed of "Cello Concerto"
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Jaakko Kuusisto Cello Concerto Painting

Lydia Lee

South Korea

Painting, Oil on Canvas

Size: 50.8 W x 54.3 H x 1.2 D in

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$4,450USD

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44 Views
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

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Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

Inspired by ‘ Jaakko Kuusisto (Finnish Violinist and composer) Cello Concerto ‘ It served as a language that strangely interpreted sad feelings. Sublimely and calmly, it is time for me to stop and look back. In music, a concerto refers to a piece of music characterized by a confrontation and competition between two sound bodies, and its etymology comes from the Latin verb concerttare, which has the meaning of harmonious and ‘compete’. In fact, during the painting process, there was a constant, unique tension between the cello solo and other string instruments.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:50.8 W x 54.3 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

" Noble simplicity and Great silence imply history and existence. I'm constantly digging for that quiet place. " I was born in Seoul and have loved drawing since I was a child, so I honed my skills in representation, perspective and depiction for a long time. I majored in Western painting at Sungshin Women's University in Korea and went to graduate school to specialize in painting. For two years, I imitated the light of Post-Impressionism and gradually developed into abstract painting. While attending graduate school, I copied or studied Bonnard, Monet, Kandinsky, and Bartok (music). Then, I am convinced that I have to go with pure formative beauty until now, and as a philosophical approach, I am working with a baroque exaggeration and continuity as well as an exploration of what human play is fundamentally. I want to talk about human freedom with tension orchestrated around a few bold actions while being conscious of off-screen. The gesture of my brush in the painting is a part of my baroque taste, as if one day, I painted it as if I was longing for a dramatic connection between the past and the current event. In the middle, I came to associate a landscape with clarity and boundaries, and the landscape tried to become a piece of music by arranging and connecting accumulated memories on a flat surface with colors. https://www.lydia-lee.com/

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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