VIEW IN MY ROOM
United Kingdom
Painting, Oil on Paper
Size: 26 W x 40.2 H x 1.6 D in
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This painting created by Aziz Anzabi gives the viewer a sense of hope and fulfilling. The people that are walking towards the cube are a symbol of people from Syria and all around the world where the people immigrate by force or to escape the violent life they had in their own country because of war. Their shadows are formed into beautiful flowers which to me is very symbolic as it shows that these people have hope for life even through all of the things they have been through. However what stuns me is the rhino in the back which is running towards them. To me this is a sign that there is more to fear and more problems waiting for these people even though they think they are safe. The cube with the king on top of it is very meaningful as it shows that there will be more dictators and problems waiting ahead of them. Even though this painting shows that refugees will face problems, I feel a sense of belonging and hope for these people because of the atmosphere and mood the painting creates and also the bright blue sky waiting ahead of these people. There is still hope… By Asra
Painting:Oil on Paper
Original:One-of-a-kind Artwork
Size:26 W x 40.2 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
AZIZ ANZABI: From politics to poetics. Between tradition and modernity: tapping into memorial exploration to nourish collective consciousness. By placing interiority and personal experience at the service of political awareness, Aziz Anzabi relentlessly questions the means we have to rethink the world in order to relieve sentiments of suffering. Experiencing Iran / Iraq War at an early age, Aziz Anzabi's encounters with iconic figures of Iranian contemporary art such as Bahman Moasses or modern poet Sohrab Sepehri radically impacted his vision. Embodying concepts of exile and oppression, Aziz Anzabi explores novel paths into the idea of free speech, shaping psychic surrealisms to awaken consciences to the violence of our over-standardized world. “I want to mix tradition into contemporary art because I think that Qajar art is the only style that is solely Iranian, with its own unique framework and techniques”. Navigating abstraction and figuration his works evokes a symbolic grammar, both biographical and collective. Anzabi's fantasized landscapes - his moving humans, his uncertain and distorted forms - are so personal that they become universal. They are in no way free from technology, quite the contrary: they would not exist without it. By borrowing from the ancestral Qajar tradition, Aziz Anzabi becomes both craftsman and alchemist. This clever mix of technical requirements linked to an approach of memory nourished by loss, gives life to powerful works : unconscious testimonies, timeless sequences questioning our immediate future. Aziz Anzabi is a fully committed lucid embodiment of a new form of violent poetic activism.
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