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In Japanese mythology, Takamagahara (高天原, "Plain of High Heaven" or "High Plain of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ama-no-ukihashi (the "Floating Bridge of Heaven”).

In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami. Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven (ame). Heavy, turbid elements branched off to become earth (tsuchi). Ame became the home of the amatsukami or gods of heaven, while tsuchi became the home of kunitsukami or gods of the land. The amatsukami are said to have descended from heaven to pacify and perfect this world.
In the beginning of the Kojiki (Records of Ancient Matters), Takamagahara is mentioned as the birthplace of the gods. It is assumed that Takamagahara existed in clouds above sea because there is a scene when Kuniumi (国生み), the god of islands, lower his spear to form an island. Also, when the Goddness of the sun, Amaterasu (天照大御神) was born, she was commanded to rule Takamagahara by Izanagi (伊弉諾), the creator deity. In the part related to Susanoo (スサノヲ, the son of Amaterasu), Takamagahara is described as the place where many gods live with Ama-no-yasukawa (天の安河), Ama-no-iwato (天岩戸), paddy fields, and a place for weaving, giving an impression that life was close to the human world. It is stated that the Asihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no-Nakatsukuni.
In the Nihon Shoki (日本書紀, The Chronicles of Japan), there is almost no mention of Takamagahara in the text. It appears only in the fourth book of the first stage of Jindaiki (神代記) and part of the posthumous name which was given to Empress Jito in the fourth year of Yoro era (720).

In contrast, in the Fudoki (風土記, ancient reports on provincial culture and oral tradition) written in Nara period (710-794), the word Takamagahara appears only at the beginning of Hitachi-no-Kuni-Fudoki (常陸の国風土記).

Similarly, in the main text of Kogo Shui (古語拾遺), a historical record written in the early Heian period (794-1185), Takamagahara is mentioned only in the section of Ninigi-no-Mikoto.

In modern times, Takamagahara was described as the “supreme celestial sphere” (至美天球) in Tales of the Spirit World (霊界物語) by Onisaburo Deguchi. The “supreme celestial sphere” is illustrated as a spiritual world of pure light in the radiant universe.
Source: Wikipedia


"Show me, show me, show me how you do that trick
The one that makes me scream" she said
"The one that makes me laugh" she said
And threw her arms around my neck
Show me how you do it
And I promise you I promise that
I'll run away with you
I'll run away with you
Spinning on that dizzy edge
I kissed her face and kissed her head
And dreamed of all the different ways I had
To make her glow
Why are you so far away, she said
Why won't you ever know that I'm in love with you
That I'm in love with you
You
Soft and only
You
Lost and lonely
You
Strange as angels
Dancing in the deepest oceans
Twisting in the water
You're just like a dream
You're just like a dream
Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes
And found myself alone, alone
Alone above a raging sea
That stole the only girl I loved
And drowned her deep inside of me
You
Soft and lonely
You
Lost and lonely
You
Just like heaven

‘Just like Heaven’ by The Cure
Songwriters: Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Simon Gallup


"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs.


The Cure are an English rock band formed in Crawley, West Sussex, in 1978. The band members have changed several times, and guitarist, lead vocalist, and songwriter Robert Smith is the only constant member. The band's debut album was Three Imaginary Boys (1979) and this, along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.

Following the release of their fourth album Pornography in 1982, the band's future was uncertain. Smith was keen to move past the gloomy reputation his band had acquired, introducing a greater pop sensibility into the band's music. Songs such as "Let's Go to Bed" (1982), "The Love Cats" (1983), "Inbetween Days" (1985), "Close To Me" (1985), "Just Like Heaven" (1987), "Lovesong" (1989), and "Friday I'm in Love" (1992) aided the band in receiving commercial popularity. The band have released 13 studio albums, two EPs and over 30 singles to date.

The Cure were inducted into the Rock and Roll Hall of Fame in 2019.

Source: Wikipedia
In Japanese mythology, Takamagahara (高天原, "Plain of High Heaven" or "High Plain of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ama-no-ukihashi (the "Floating Bridge of Heaven”).

In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami. Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven (ame). Heavy, turbid elements branched off to become earth (tsuchi). Ame became the home of the amatsukami or gods of heaven, while tsuchi became the home of kunitsukami or gods of the land. The amatsukami are said to have descended from heaven to pacify and perfect this world.
In the beginning of the Kojiki (Records of Ancient Matters), Takamagahara is mentioned as the birthplace of the gods. It is assumed that Takamagahara existed in clouds above sea because there is a scene when Kuniumi (国生み), the god of islands, lower his spear to form an island. Also, when the Goddness of the sun, Amaterasu (天照大御神) was born, she was commanded to rule Takamagahara by Izanagi (伊弉諾), the creator deity. In the part related to Susanoo (スサノヲ, the son of Amaterasu), Takamagahara is described as the place where many gods live with Ama-no-yasukawa (天の安河), Ama-no-iwato (天岩戸), paddy fields, and a place for weaving, giving an impression that life was close to the human world. It is stated that the Asihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no-Nakatsukuni.
In the Nihon Shoki (日本書紀, The Chronicles of Japan), there is almost no mention of Takamagahara in the text. It appears only in the fourth book of the first stage of Jindaiki (神代記) and part of the posthumous name which was given to Empress Jito in the fourth year of Yoro era (720).

In contrast, in the Fudoki (風土記, ancient reports on provincial culture and oral tradition) written in Nara period (710-794), the word Takamagahara appears only at the beginning of Hitachi-no-Kuni-Fudoki (常陸の国風土記).

Similarly, in the main text of Kogo Shui (古語拾遺), a historical record written in the early Heian period (794-1185), Takamagahara is mentioned only in the section of Ninigi-no-Mikoto.

In modern times, Takamagahara was described as the “supreme celestial sphere” (至美天球) in Tales of the Spirit World (霊界物語) by Onisaburo Deguchi. The “supreme celestial sphere” is illustrated as a spiritual world of pure light in the radiant universe.
Source: Wikipedia


"Show me, show me, show me how you do that trick
The one that makes me scream" she said
"The one that makes me laugh" she said
And threw her arms around my neck
Show me how you do it
And I promise you I promise that
I'll run away with you
I'll run away with you
Spinning on that dizzy edge
I kissed her face and kissed her head
And dreamed of all the different ways I had
To make her glow
Why are you so far away, she said
Why won't you ever know that I'm in love with you
That I'm in love with you
You
Soft and only
You
Lost and lonely
You
Strange as angels
Dancing in the deepest oceans
Twisting in the water
You're just like a dream
You're just like a dream
Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes
And found myself alone, alone
Alone above a raging sea
That stole the only girl I loved
And drowned her deep inside of me
You
Soft and lonely
You
Lost and lonely
You
Just like heaven

‘Just like Heaven’ by The Cure
Songwriters: Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Simon Gallup


"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs.


The Cure are an English rock band formed in Crawley, West Sussex, in 1978. The band members have changed several times, and guitarist, lead vocalist, and songwriter Robert Smith is the only constant member. The band's debut album was Three Imaginary Boys (1979) and this, along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.

Following the release of their fourth album Pornography in 1982, the band's future was uncertain. Smith was keen to move past the gloomy reputation his band had acquired, introducing a greater pop sensibility into the band's music. Songs such as "Let's Go to Bed" (1982), "The Love Cats" (1983), "Inbetween Days" (1985), "Close To Me" (1985), "Just Like Heaven" (1987), "Lovesong" (1989), and "Friday I'm in Love" (1992) aided the band in receiving commercial popularity. The band have released 13 studio albums, two EPs and over 30 singles to date.

The Cure were inducted into the Rock and Roll Hall of Fame in 2019.

Source: Wikipedia
In Japanese mythology, Takamagahara (高天原, "Plain of High Heaven" or "High Plain of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ama-no-ukihashi (the "Floating Bridge of Heaven”).

In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami. Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven (ame). Heavy, turbid elements branched off to become earth (tsuchi). Ame became the home of the amatsukami or gods of heaven, while tsuchi became the home of kunitsukami or gods of the land. The amatsukami are said to have descended from heaven to pacify and perfect this world.
In the beginning of the Kojiki (Records of Ancient Matters), Takamagahara is mentioned as the birthplace of the gods. It is assumed that Takamagahara existed in clouds above sea because there is a scene when Kuniumi (国生み), the god of islands, lower his spear to form an island. Also, when the Goddness of the sun, Amaterasu (天照大御神) was born, she was commanded to rule Takamagahara by Izanagi (伊弉諾), the creator deity. In the part related to Susanoo (スサノヲ, the son of Amaterasu), Takamagahara is described as the place where many gods live with Ama-no-yasukawa (天の安河), Ama-no-iwato (天岩戸), paddy fields, and a place for weaving, giving an impression that life was close to the human world. It is stated that the Asihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no-Nakatsukuni.
In the Nihon Shoki (日本書紀, The Chronicles of Japan), there is almost no mention of Takamagahara in the text. It appears only in the fourth book of the first stage of Jindaiki (神代記) and part of the posthumous name which was given to Empress Jito in the fourth year of Yoro era (720).

In contrast, in the Fudoki (風土記, ancient reports on provincial culture and oral tradition) written in Nara period (710-794), the word Takamagahara appears only at the beginning of Hitachi-no-Kuni-Fudoki (常陸の国風土記).

Similarly, in the main text of Kogo Shui (古語拾遺), a historical record written in the early Heian period (794-1185), Takamagahara is mentioned only in the section of Ninigi-no-Mikoto.

In modern times, Takamagahara was described as the “supreme celestial sphere” (至美天球) in Tales of the Spirit World (霊界物語) by Onisaburo Deguchi. The “supreme celestial sphere” is illustrated as a spiritual world of pure light in the radiant universe.
Source: Wikipedia


"Show me, show me, show me how you do that trick
The one that makes me scream" she said
"The one that makes me laugh" she said
And threw her arms around my neck
Show me how you do it
And I promise you I promise that
I'll run away with you
I'll run away with you
Spinning on that dizzy edge
I kissed her face and kissed her head
And dreamed of all the different ways I had
To make her glow
Why are you so far away, she said
Why won't you ever know that I'm in love with you
That I'm in love with you
You
Soft and only
You
Lost and lonely
You
Strange as angels
Dancing in the deepest oceans
Twisting in the water
You're just like a dream
You're just like a dream
Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes
And found myself alone, alone
Alone above a raging sea
That stole the only girl I loved
And drowned her deep inside of me
You
Soft and lonely
You
Lost and lonely
You
Just like heaven

‘Just like Heaven’ by The Cure
Songwriters: Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Simon Gallup


"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs.


The Cure are an English rock band formed in Crawley, West Sussex, in 1978. The band members have changed several times, and guitarist, lead vocalist, and songwriter Robert Smith is the only constant member. The band's debut album was Three Imaginary Boys (1979) and this, along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.

Following the release of their fourth album Pornography in 1982, the band's future was uncertain. Smith was keen to move past the gloomy reputation his band had acquired, introducing a greater pop sensibility into the band's music. Songs such as "Let's Go to Bed" (1982), "The Love Cats" (1983), "Inbetween Days" (1985), "Close To Me" (1985), "Just Like Heaven" (1987), "Lovesong" (1989), and "Friday I'm in Love" (1992) aided the band in receiving commercial popularity. The band have released 13 studio albums, two EPs and over 30 singles to date.

The Cure were inducted into the Rock and Roll Hall of Fame in 2019.

Source: Wikipedia
In Japanese mythology, Takamagahara (高天原, "Plain of High Heaven" or "High Plain of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ama-no-ukihashi (the "Floating Bridge of Heaven”).

In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami. Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven (ame). Heavy, turbid elements branched off to become earth (tsuchi). Ame became the home of the amatsukami or gods of heaven, while tsuchi became the home of kunitsukami or gods of the land. The amatsukami are said to have descended from heaven to pacify and perfect this world.
In the beginning of the Kojiki (Records of Ancient Matters), Takamagahara is mentioned as the birthplace of the gods. It is assumed that Takamagahara existed in clouds above sea because there is a scene when Kuniumi (国生み), the god of islands, lower his spear to form an island. Also, when the Goddness of the sun, Amaterasu (天照大御神) was born, she was commanded to rule Takamagahara by Izanagi (伊弉諾), the creator deity. In the part related to Susanoo (スサノヲ, the son of Amaterasu), Takamagahara is described as the place where many gods live with Ama-no-yasukawa (天の安河), Ama-no-iwato (天岩戸), paddy fields, and a place for weaving, giving an impression that life was close to the human world. It is stated that the Asihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no-Nakatsukuni.
In the Nihon Shoki (日本書紀, The Chronicles of Japan), there is almost no mention of Takamagahara in the text. It appears only in the fourth book of the first stage of Jindaiki (神代記) and part of the posthumous name which was given to Empress Jito in the fourth year of Yoro era (720).

In contrast, in the Fudoki (風土記, ancient reports on provincial culture and oral tradition) written in Nara period (710-794), the word Takamagahara appears only at the beginning of Hitachi-no-Kuni-Fudoki (常陸の国風土記).

Similarly, in the main text of Kogo Shui (古語拾遺), a historical record written in the early Heian period (794-1185), Takamagahara is mentioned only in the section of Ninigi-no-Mikoto.

In modern times, Takamagahara was described as the “supreme celestial sphere” (至美天球) in Tales of the Spirit World (霊界物語) by Onisaburo Deguchi. The “supreme celestial sphere” is illustrated as a spiritual world of pure light in the radiant universe.
Source: Wikipedia


"Show me, show me, show me how you do that trick
The one that makes me scream" she said
"The one that makes me laugh" she said
And threw her arms around my neck
Show me how you do it
And I promise you I promise that
I'll run away with you
I'll run away with you
Spinning on that dizzy edge
I kissed her face and kissed her head
And dreamed of all the different ways I had
To make her glow
Why are you so far away, she said
Why won't you ever know that I'm in love with you
That I'm in love with you
You
Soft and only
You
Lost and lonely
You
Strange as angels
Dancing in the deepest oceans
Twisting in the water
You're just like a dream
You're just like a dream
Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes
And found myself alone, alone
Alone above a raging sea
That stole the only girl I loved
And drowned her deep inside of me
You
Soft and lonely
You
Lost and lonely
You
Just like heaven

‘Just like Heaven’ by The Cure
Songwriters: Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Simon Gallup


"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs.


The Cure are an English rock band formed in Crawley, West Sussex, in 1978. The band members have changed several times, and guitarist, lead vocalist, and songwriter Robert Smith is the only constant member. The band's debut album was Three Imaginary Boys (1979) and this, along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.

Following the release of their fourth album Pornography in 1982, the band's future was uncertain. Smith was keen to move past the gloomy reputation his band had acquired, introducing a greater pop sensibility into the band's music. Songs such as "Let's Go to Bed" (1982), "The Love Cats" (1983), "Inbetween Days" (1985), "Close To Me" (1985), "Just Like Heaven" (1987), "Lovesong" (1989), and "Friday I'm in Love" (1992) aided the band in receiving commercial popularity. The band have released 13 studio albums, two EPs and over 30 singles to date.

The Cure were inducted into the Rock and Roll Hall of Fame in 2019.

Source: Wikipedia
In Japanese mythology, Takamagahara (高天原, "Plain of High Heaven" or "High Plain of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ama-no-ukihashi (the "Floating Bridge of Heaven”).

In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami. Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven (ame). Heavy, turbid elements branched off to become earth (tsuchi). Ame became the home of the amatsukami or gods of heaven, while tsuchi became the home of kunitsukami or gods of the land. The amatsukami are said to have descended from heaven to pacify and perfect this world.
In the beginning of the Kojiki (Records of Ancient Matters), Takamagahara is mentioned as the birthplace of the gods. It is assumed that Takamagahara existed in clouds above sea because there is a scene when Kuniumi (国生み), the god of islands, lower his spear to form an island. Also, when the Goddness of the sun, Amaterasu (天照大御神) was born, she was commanded to rule Takamagahara by Izanagi (伊弉諾), the creator deity. In the part related to Susanoo (スサノヲ, the son of Amaterasu), Takamagahara is described as the place where many gods live with Ama-no-yasukawa (天の安河), Ama-no-iwato (天岩戸), paddy fields, and a place for weaving, giving an impression that life was close to the human world. It is stated that the Asihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no-Nakatsukuni.
In the Nihon Shoki (日本書紀, The Chronicles of Japan), there is almost no mention of Takamagahara in the text. It appears only in the fourth book of the first stage of Jindaiki (神代記) and part of the posthumous name which was given to Empress Jito in the fourth year of Yoro era (720).

In contrast, in the Fudoki (風土記, ancient reports on provincial culture and oral tradition) written in Nara period (710-794), the word Takamagahara appears only at the beginning of Hitachi-no-Kuni-Fudoki (常陸の国風土記).

Similarly, in the main text of Kogo Shui (古語拾遺), a historical record written in the early Heian period (794-1185), Takamagahara is mentioned only in the section of Ninigi-no-Mikoto.

In modern times, Takamagahara was described as the “supreme celestial sphere” (至美天球) in Tales of the Spirit World (霊界物語) by Onisaburo Deguchi. The “supreme celestial sphere” is illustrated as a spiritual world of pure light in the radiant universe.
Source: Wikipedia


"Show me, show me, show me how you do that trick
The one that makes me scream" she said
"The one that makes me laugh" she said
And threw her arms around my neck
Show me how you do it
And I promise you I promise that
I'll run away with you
I'll run away with you
Spinning on that dizzy edge
I kissed her face and kissed her head
And dreamed of all the different ways I had
To make her glow
Why are you so far away, she said
Why won't you ever know that I'm in love with you
That I'm in love with you
You
Soft and only
You
Lost and lonely
You
Strange as angels
Dancing in the deepest oceans
Twisting in the water
You're just like a dream
You're just like a dream
Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes
And found myself alone, alone
Alone above a raging sea
That stole the only girl I loved
And drowned her deep inside of me
You
Soft and lonely
You
Lost and lonely
You
Just like heaven

‘Just like Heaven’ by The Cure
Songwriters: Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Simon Gallup


"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs.


The Cure are an English rock band formed in Crawley, West Sussex, in 1978. The band members have changed several times, and guitarist, lead vocalist, and songwriter Robert Smith is the only constant member. The band's debut album was Three Imaginary Boys (1979) and this, along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.

Following the release of their fourth album Pornography in 1982, the band's future was uncertain. Smith was keen to move past the gloomy reputation his band had acquired, introducing a greater pop sensibility into the band's music. Songs such as "Let's Go to Bed" (1982), "The Love Cats" (1983), "Inbetween Days" (1985), "Close To Me" (1985), "Just Like Heaven" (1987), "Lovesong" (1989), and "Friday I'm in Love" (1992) aided the band in receiving commercial popularity. The band have released 13 studio albums, two EPs and over 30 singles to date.

The Cure were inducted into the Rock and Roll Hall of Fame in 2019.

Source: Wikipedia
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Just Like Ame Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 40 W x 40 H x 1.5 D in

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About The Artwork

In Japanese mythology, Takamagahara (高天原, "Plain of High Heaven" or "High Plain of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ama-no-ukihashi (the "Floating Bridge of Heaven”). In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami. Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven (ame). Heavy, turbid elements branched off to become earth (tsuchi). Ame became the home of the amatsukami or gods of heaven, while tsuchi became the home of kunitsukami or gods of the land. The amatsukami are said to have descended from heaven to pacify and perfect this world. In the beginning of the Kojiki (Records of Ancient Matters), Takamagahara is mentioned as the birthplace of the gods. It is assumed that Takamagahara existed in clouds above sea because there is a scene when Kuniumi (国生み), the god of islands, lower his spear to form an island. Also, when the Goddness of the sun, Amaterasu (天照大御神) was born, she was commanded to rule Takamagahara by Izanagi (伊弉諾), the creator deity. In the part related to Susanoo (スサノヲ, the son of Amaterasu), Takamagahara is described as the place where many gods live with Ama-no-yasukawa (天の安河), Ama-no-iwato (天岩戸), paddy fields, and a place for weaving, giving an impression that life was close to the human world. It is stated that the Asihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no-Nakatsukuni. In the Nihon Shoki (日本書紀, The Chronicles of Japan), there is almost no mention of Takamagahara in the text. It appears only in the fourth book of the first stage of Jindaiki (神代記) and part of the posthumous name which was given to Empress Jito in the fourth year of Yoro era (720). In contrast, in the Fudoki (風土記, ancient reports on provincial culture and oral tradition) written in Nara period (710-794), the word Takamagahara appears only at the beginning of Hitachi-no-Kuni-Fudoki (常陸の国風土記). Similarly, in the main text of Kogo Shui (古語拾遺), a historical record written in the early Heian period (794-1185), Takamagahara is mentioned only in the section of Ninigi-no-Mikoto. In modern times, Takamagahara was described as the “supreme celestial sphere” (至美天球) in Tales of the Spirit World (霊界物語) by Onisaburo Deguchi. The “supreme celestial sphere” is illustrated as a spiritual world of pure light in the radiant universe. Source: Wikipedia "Show me, show me, show me how you do that trick The one that makes me scream" she said "The one that makes me laugh" she said And threw her arms around my neck Show me how you do it And I promise you I promise that I'll run away with you I'll run away with you Spinning on that dizzy edge I kissed her face and kissed her head And dreamed of all the different ways I had To make her glow Why are you so far away, she said Why won't you ever know that I'm in love with you That I'm in love with you You Soft and only You Lost and lonely You Strange as angels Dancing in the deepest oceans Twisting in the water You're just like a dream You're just like a dream Daylight licked me into shape I must have been asleep for days And moving lips to breathe her name I opened up my eyes And found myself alone, alone Alone above a raging sea That stole the only girl I loved And drowned her deep inside of me You Soft and lonely You Lost and lonely You Just like heaven ‘Just like Heaven’ by The Cure Songwriters: Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Simon Gallup "Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock. "Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs. The Cure are an English rock band formed in Crawley, West Sussex, in 1978. The band members have changed several times, and guitarist, lead vocalist, and songwriter Robert Smith is the only constant member. The band's debut album was Three Imaginary Boys (1979) and this, along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre. Following the release of their fourth album Pornography in 1982, the band's future was uncertain. Smith was keen to move past the gloomy reputation his band had acquired, introducing a greater pop sensibility into the band's music. Songs such as "Let's Go to Bed" (1982), "The Love Cats" (1983), "Inbetween Days" (1985), "Close To Me" (1985), "Just Like Heaven" (1987), "Lovesong" (1989), and "Friday I'm in Love" (1992) aided the band in receiving commercial popularity. The band have released 13 studio albums, two EPs and over 30 singles to date. The Cure were inducted into the Rock and Roll Hall of Fame in 2019. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 40 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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