VIEW IN MY ROOM
Italy
Painting, Acrylic on Canvas
Size: 27.2 W x 38.6 H x 1.2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
This captivating painting encapsulates the essence of love, beauty, and passion in an enchanted atmosphere. At the center of the painting, a woman in a red dress gazes from a Parisian balcony, symbolizing the central role of the beloved person in Seal's song "Kiss from a Rose." The typical Parisian facade is made even more charming by the twilight. The sunset light brings out the gray of the walls, creating a vivid contrast with the warm yellow light emanating from the balconies. This visual contrast emphasizes the central theme of the song, where the "kiss from a rose" symbolizes the beauty and passion that can emerge even in the midst of gray and challenging moments. The balconies are adorned with lush red roses, a classic symbol of love and passion. The red roses stand in contrast to the sobriety of the gray walls, underlining the power of love to bring beauty and vibrancy into life. Overall, "Kiss from a Rose at Twilight" is an artwork that captures the soul of Seal's song and reflects its emotional depth. It portrays a magical and romantic moment in Paris, where love and beauty are celebrated in all their splendor, even when everything seems enveloped in shadow.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:27.2 W x 38.6 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Marco Barberio, 1971 Italy. During his life, he has always cultivated a passion for art and creativity, even without attending specialized schools. He spent his adolescence in the 80s, painting with the myth of American graffiti and pop art. In the 90s he was in the middle of the digital revolution and the birth of the Internet. Thanks to entrepreneurial intuition, the predisposition to new technologies and love for art, he founded a web company with the role of art director. In his US travels, he definitively consolidates the metropolitan subjects for his realistic paintings with references to pop icons. I call my artistic process “sampled realism”. The sampled realism is a way to translate an abstract idea, a state of mind of the real world and of everyday life, into an artistic representation, aiming to find a correct balancing between science and art. Environments, metropolitan landscapes, streets and places are just opportunity to freeze the sigh of an instant, the perfect moment. The urban landscapes into the pictorial “shots” are not just scenography, but moments of suspension, of losses of reference points. Spatiality as an element of the story is meant as an active agent of a tale. Are early stories, beginning of a movie, still images that narrate episodes within spaces defined by frames. Time is frozen and tension inert, while the action seems “off-screen”, in another world. The pictorial is made, being in the digital age, with the technique of sampling. The classic example of sampling is given by the world of music: the sound wave of an instrument played live is perceived as a signal “continuous”. When a sound is “captured” digitally, occurs a sampling process where the information of that signal is stored with a certain frequency. In this way, the continuous analogue signal becomes a digital signal discontinuously, apparently with some shortcomings. But this new digital signal, that can be stored in some way, is perceived exactly like the real analogue. In the digital era, much of the reality we live tends to be “sampled” and trapped in electronic devices. Similarly, in sampled realism the image is made with a process of simplification of the colours, a “sampling”. In this perspective, the colours are not mixed but become splashes, curves between which there are no shades. Just as it is in topography with the level curves, or in tomography, where the three-dimensional rendering of the body is given by samples in layers.
Artist featured by Saatchi Art in a collection
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