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Lady & The Unicorn (Sound) Painting

Genevieve Esson

United States

Painting, Acrylic on Canvas

Size: 24 W x 33.8 H x 1.5 D in

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$3,460

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About The Artwork

This painting is one in a series of five paintings in honor of the Cluny Museum Unicorn Tapestries: The Five Senses. I have completed 3 of the 5. It took me almost one year to paint this piece. I had other projects going on, and there is so much detail and it is a large painting. The last one I painted was in 2006, so it's been over 10 years. I have painted other tapestry inspired paintings in between. A captured Unicorn, and my own take of the Lady & The Unicorn Tapestries. They have all been SOLD. My paintings are not exact replicas of the Unknown Artists & Weavers who created these tapestries in French speaking Belgium in Medieval Times. The tapestries now reside in the Cluny Museum in Paris. I was first inspired to paint these canvases by the mystery and the floral and fauna aspect of the Unicorn Tapestries. There is something about them. The tapestries show an appreciation for nature, animals, music and culture. They hold an element of magic and love. This painting comes with a frame and is ready to hang. Signed on the front. Letter of authenticity.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 33.8 H x 1.5 D in

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Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.

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