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A painting that was long awaiting its final touch. Its turquoise composition, free in its approach, was at a point that I dared not touch it anymore, afraid to go too far on it. I created this white sewn in constellation that offered straight lines within the organic background. It felt like it was still missing something. A year later, just experimenting, I added a pink,light pink, red spotted thread onto of the work. Surprisingly, especially because of its colour it looked good and  finally I stuck and threaded it into the turquoise bright work. It is the first time that I stick the yarn on the canvas instead of only threading. Doing so I had more freedom of direction and curves in the work. It is stuck with and as a whole treated with plextol which is a acid free acrylic resin that also varnished the rest of the painting. So it has a slightly varnished /wet look when you look from a certain side into the light. The subtle and pink details made the difference as it gave the painting its finishing touch. For it was waiting for a subtle touch of a warmer colour without dominating the blue hues. This particular piece is a one in a kind I don t have a Series of this work but maybe it will inspire more in the future.
A painting that was long awaiting its final touch. Its turquoise composition, free in its approach, was at a point that I dared not touch it anymore, afraid to go too far on it. I created this white sewn in constellation that offered straight lines within the organic background. It felt like it was still missing something. A year later, just experimenting, I added a pink,light pink, red spotted thread onto of the work. Surprisingly, especially because of its colour it looked good and  finally I stuck and threaded it into the turquoise bright work. It is the first time that I stick the yarn on the canvas instead of only threading. Doing so I had more freedom of direction and curves in the work. It is stuck with and as a whole treated with plextol which is a acid free acrylic resin that also varnished the rest of the painting. So it has a slightly varnished /wet look when you look from a certain side into the light. The subtle and pink details made the difference as it gave the painting its finishing touch. For it was waiting for a subtle touch of a warmer colour without dominating the blue hues. This particular piece is a one in a kind I don t have a Series of this work but maybe it will inspire more in the future.
A painting that was long awaiting its final touch. Its turquoise composition, free in its approach, was at a point that I dared not touch it anymore, afraid to go too far on it. I created this white sewn in constellation that offered straight lines within the organic background. It felt like it was still missing something. A year later, just experimenting, I added a pink,light pink, red spotted thread onto of the work. Surprisingly, especially because of its colour it looked good and  finally I stuck and threaded it into the turquoise bright work. It is the first time that I stick the yarn on the canvas instead of only threading. Doing so I had more freedom of direction and curves in the work. It is stuck with and as a whole treated with plextol which is a acid free acrylic resin that also varnished the rest of the painting. So it has a slightly varnished /wet look when you look from a certain side into the light. The subtle and pink details made the difference as it gave the painting its finishing touch. For it was waiting for a subtle touch of a warmer colour without dominating the blue hues. This particular piece is a one in a kind I don t have a Series of this work but maybe it will inspire more in the future.
photo by Nahuel Reyes Gomez
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Lines of Stars Painting

Assena V

Netherlands

Painting, Acrylic on Canvas

Size: 56.7 W x 86.6 H x 0 D in

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$7,050

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About The Artwork

A painting that was long awaiting its final touch. Its turquoise composition, free in its approach, was at a point that I dared not touch it anymore, afraid to go too far on it. I created this white sewn in constellation that offered straight lines within the organic background. It felt like it was still missing something. A year later, just experimenting, I added a pink,light pink, red spotted thread onto of the work. Surprisingly, especially because of its colour it looked good and finally I stuck and threaded it into the turquoise bright work. It is the first time that I stick the yarn on the canvas instead of only threading. Doing so I had more freedom of direction and curves in the work. It is stuck with and as a whole treated with plextol which is a acid free acrylic resin that also varnished the rest of the painting. So it has a slightly varnished /wet look when you look from a certain side into the light. The subtle and pink details made the difference as it gave the painting its finishing touch. For it was waiting for a subtle touch of a warmer colour without dominating the blue hues. This particular piece is a one in a kind I don t have a Series of this work but maybe it will inspire more in the future.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:56.7 W x 86.6 H x 0 D in

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Art is my prayer. I try to bridge all my experiences into something beautiful, heal any hurt with the magical touch of paint, an eventual mirror, cloth or mosaic. Unlike my fast paced multitask nature, the moment I sit down to paint I enter another realm there where I can reflect and be still. My greatest inspirations and influences are nature and the magnificence of cultures from around the world. In awe of these wonders it is my wish to pause for a moment, express this beauty, whilst giving thanks. Note: Please take in account that nearly all works presented are unstretched. This is due to weight/shipping and storage. Please ask if you have questions concerning the space surrounding the composition. Email: vnomada@yahoo.com

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