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Painting, Watercolor on Paper
Size: 26 W x 44.9 H x 0.1 D in
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Fascinated by the discovery of Tarot universe, I decided to draw my own Tarot cards as a series of large scale watercolor paintings. Like so many artists before me, I started with the characters of Major Arcana. I realised these are really strong archetypes who like to be expressed and manifested through painting. They can't wait to inhabit the visible world by the help of yet another artist. The Magician is the one who effortlessly creates galaxies in a blink of an eye. He also creates his own little world, his sorrows, his joys, every day and night. He is accompanied by a blue water dragon, his guardian and protector. There are tiny flower babies living in water lilies, created by a magical accident. There is a harpy, a symbol of Magician's sexuality. The work is painted on 300 g/m² Arches watercolor paper and is not framed. It is signed on the back.
2023
Watercolor on Paper
One-of-a-kind Artwork
26 W x 44.9 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Latvia.
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My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.
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