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Manborg Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 60 H x 1.5 D in

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About The Artwork

Manborg: Draculon! More like asshole. Justice: [In Yo Joe! “Australian” accent] That guy’s house is made out of newspaper. That means he’s p…poor. There’s burger wrappers everywhere. I think that guy’s got garbage on his head! Oy, mate. Take that garbage off your head. Oy, he can’t even hear a word I’m saying. #1 Man: Four cups of water, that’s what that says right there. Justice: Four… Cups… Water. Yeah! #1 Man: And then we bring it to a boil. Justice: Ah, right. [goes to pour macaroni into saucepan] #1 Man: [Stops him] No. Not yet. After we boil the water. Justice: Oh. After you boil the water — Yea, it says right there. Small print as always… The Baron: What could I be doing wrong? I mean, I’m trying so hard. I mean, I don’t know, you can process human emotion, what do you think? Cause sometimes I feel like she doesn’t even know that I exist. Dr. Scorpius: Hmm. I don’t know. Have you tried umm… buying her something? Flowers or… The Baron: SILENCE! Like what kind of flowers… like a certain kind? Dr. Scorpius: Listen, Baron, I’m very busy here, I have a lot of work to do. Perhaps you could discuss this with.. I don’t know. The Count? You two seem to get along well. The Baron: When he’s sober… I’m going to have a friggin’ anxiety attack over here. I need a cigarette. [Sits down and lights up a smoke] Dr. Scorpius: You told me you quit. The Baron: Ahh, don’t you start. from ‘Manborg’ (2011) Starring Mike Kostanski (Psycho Goreman), Meredith Sweeney (The Editor), Conor Sweeney (Father’s Day - Not P.G.), Jeremy Gillespie (The Boys), Ludwig Lee (#1 Man), Kyle Hebert (your name.), and Adam Brooks (Another WolfCop). Written by Steven Kostanski (Bio-Cop) and Jeremy Gillespie (Chowboys: An American Folktale). Directed by Steven Kostanski (The Void). Manborg is a 2011 Canadian science-fiction action film, directed by Steven Kostanski, and released by Astron-6. Plot: Count Draculon (Adam Brooks) and his Nazi vampire forces seek to take over Earth during the Hell Wars. A soldier (Matthew Kennedy) is killed attempting to fight the Count, then transformed into Manborg after his body is fitted with robotics. After Manborg becomes active in Mega-Death City, he meets with resistance fighters against Count Draculon. Justice (Conor Sweeney) is a gunfighter who resembles Billy Idol with an "Australian" accent who is joined by his sister Mina (Meredith Sweeney) and martial arts expert #1 Man (Ludwig Lee, voice-dubbed by Kyle Hebert). Production: Production began in 2009, with approximately one year of filming followed by two years of post-production. Chroma key backdrops were used for most filmed scenes. Production costs were approximately $1,000 (CAD). In an interview with Monsterpictures.com Steve Kostanski said a lot of the movie was shot in his parent's garage. The costumes for the film were made of garbage and often times he would glue them back together during production. Most of the set pieces were built with scraps the team found in dumpsters. Steve was also quoted saying a lot of their props are "cannibalized" and reused in other scenes. Astron-6 is a Canadian film production and directing company founded in 2007 by Adam Brooks and Jeremy Gillespie. The company later expanded to include Matt Kennedy, Conor Sweeney and Steven Kostanski, who are now equal partners in the company. Astron-6 is known for producing low-budget, 1980s-centric independent movies that often combine horror with comedy. A planned 2012 documentary No Sleep, No Surrender, which detailed the making and production of their 2011 film Father's Day, was never completed, though a teaser trailer was released. The follow-up to Father's Day, a Giallo-inspired horror comedy, The Editor, was directed by Adam Brooks and Matthew Kennedy in 2014. In 2016, Astron-6 produced the web series Divorced Dad. The series was described by the filmmakers as 'a love letter to the endearingly incompetent cable access television shows created by far from screen-ready small town celebrities during the 1980s and 90s'. Gillespie and Kostanski directed the 2016 horror film The Void, intended as a departure from Astron-6's more comedic work. The film showcases more of Kostanski's creature and practical effects as seen in Astron-6's earlier films. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 60 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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