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Meditating Painting

David Smith

United States

Painting, Oil on Cardboard

Size: 20 W x 36 H x 0.3 D in

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About The Artwork

Meditation and breathing make a huge precedence in my work. My paintings are conceptualized visually around the idea that we as humans are loosely held together by atoms and molecules that consist mostly of electrically charged space. In this piece, that notion is carried across by the color shifts that happen throughout the floating head. The breath is represented by the spectrum of color leaving his mouth. Each little facet is its own painting, is its own universe. When you reach a certain height (or depth) through meditation, the breath becomes the only thing holding you to this earth. It is the essential consciousness creator moment to moment. It encompasses the human experience. It signifies life and the absence signifies death, and both are as close as the next breath.

Details & Dimensions

Painting:Oil on Cardboard

Original:One-of-a-kind Artwork

Size:20 W x 36 H x 0.3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

David Aaron Smith is a 34 year old painter, sculptor, and installation artist from rural Louisiana. He’s best known for the past eight years of his career where he founded Villa Anita in Death Valley, an architectural sculpture museum that invited visitors to stay overnight in “livable sculptures” built almost entirely from repurposed materials. A mixture of installation and performance art, Villa Anita in Death Valley has become a stalwart of ongoing Southern California Junk Dada, and most of the work you see there was made by Aaron. You may have seen more of Aaron’s work in solo and group shows in different parts of California. In the fall of 2019, he took on one of his most ambitious projects for a solo show at Gardenville Station in San Francisco. He spent a week with fellow artist, Katelyn Doherty, and filmmaker, Robin Malo, interviewing people from the Bayview Neighborhood, collecting repurposed and discarded material from that same area, and building sculptural portraits of the sitters. The result became a multimedia portrait of a whole community that is current being eroded away by gentrification and the prospect of bringing in more valuable residents.

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