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Mister Smiley Painting

Philip Leister

Painting, Gouache on Canvas

Size: 16 W x 20 H x 0.5 D in

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About The Artwork

A smiley, sometimes referred to as a smiley face, is a basic ideogram that represents a smiling face. Since the 1950s it has become part of popular culture worldwide, used either as a standalone ideogram, or as a form of communication, such as emoticons. The smiley began as two dots and a line to represent eyes and a mouth. More elaborate designs in the 1950s emerged, with noses, eyebrows, and outlines. The first time a yellow and black design was used was by the radio station, WMCA for its "Good Guys" campaign in the early 1960s. More yellow and black designs appeared in the 1960s and 70s including works by Franklin Loufrani and Harvey Ross Ball. Today, The Smiley Company holds many rights to the smiley ideogram and has become one of the biggest licensing companies globally. The name smiley wasn't used until the 1970s when Loufrani trademarked the name and his design in France while he was working as a journalist for France Soir. Competing terms were used such as smiling face and happy face before consensus was reached on the term smiley, less often spelled "smilie". Today, the smiley face has evolved from an ideogram into a template for communication and use in written language. This began with Scott Fahlman in the 1980s when he first theorized ascii characters could be used to create faces and demonstrate emotion in text. Since then, those Fahlman's designs have become digital pictograms, known as emoticons. They are loosely based on the ideograms designed in the 1960s and 70s, continuing with the yellow and black design. Source: Wikipedia Note: This is the first abstract piece I did back in August of 2017. It started as a smiley face with a bullet hole in the forehead (An image I’ve always found hilarious. Ever since I first saw it in one of my older brother’s U.S. Calvary catalogues, when I was a little kid). From there it kinda went off the rails. But at the time, I had limited canvases and materials. So I simply kept adding layer after layer.

Details & Dimensions

Painting:Gouache on Canvas

Original:One-of-a-kind Artwork

Size:16 W x 20 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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