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Mystère is one of six resident Cirque du Soleil shows in Las Vegas, Nevada. Held in a custom theatre at the Treasure Island Hotel and Casino, the show was first performed on 25 December 1993, making it the company's longest running show. As with many Cirque du Soleil productions, Mystère features a mixture of circus skills, dance, elaborate sets, opera, worldbeat music, and street theatre-style comedy. Featuring a musical score composed by René Dupéré and Benoît Jutras, the show was created under the direction of Franco Dragone.

The idea for Mystère started around 1990. It was originally planned for Caesars Palace with a theme based on Greek and Roman mythology. The plan, however, was scrapped by the casino executives, who thought the project would be too financially risky. Mystère was very different from the typical material they were used to in a Las Vegas show. According to Mystère set designer Michel Crête, "Vegas... was still very influenced by Folies Bergère, with the scarves, feather boas, etc. There was a European culture already in place, oddly enough, not an American one. The people who opened the door for something new were Siegfried and Roy. They were the first to move away from the Folies Bergère thing."

Treasure Island picked up the show three years later. Mystère was their first show that would have its own theater, rather than touring with a circus tent.  Mystère would have a permanent base in Las Vegas. They worked with Mirage Casino-Hotel to produce a show.
Source: Wikipedia
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Mystère Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 36 H x 1.5 D in

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About The Artwork

Mystère is one of six resident Cirque du Soleil shows in Las Vegas, Nevada. Held in a custom theatre at the Treasure Island Hotel and Casino, the show was first performed on 25 December 1993, making it the company's longest running show. As with many Cirque du Soleil productions, Mystère features a mixture of circus skills, dance, elaborate sets, opera, worldbeat music, and street theatre-style comedy. Featuring a musical score composed by René Dupéré and Benoît Jutras, the show was created under the direction of Franco Dragone. The idea for Mystère started around 1990. It was originally planned for Caesars Palace with a theme based on Greek and Roman mythology. The plan, however, was scrapped by the casino executives, who thought the project would be too financially risky. Mystère was very different from the typical material they were used to in a Las Vegas show. According to Mystère set designer Michel Crête, "Vegas... was still very influenced by Folies Bergère, with the scarves, feather boas, etc. There was a European culture already in place, oddly enough, not an American one. The people who opened the door for something new were Siegfried and Roy. They were the first to move away from the Folies Bergère thing." Treasure Island picked up the show three years later. Mystère was their first show that would have its own theater, rather than touring with a circus tent. Mystère would have a permanent base in Las Vegas. They worked with Mirage Casino-Hotel to produce a show. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 36 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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