view additional image 1
View in a Room ArtworkView in a Room Background
view additional image 3
view additional image 4
view additional image 5
view additional image 6
view additional image 7
323 Views
3

VIEW IN MY ROOM

Never Sleep Again Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 36 H x 1.5 D in

Ships in a Crate

info-circle
$2,000

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
323 Views
3

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Never Sleep Again: The Elm Street Legacy is a 2010 American direct-to-video documentary film that chronicles the entire Nightmare on Elm Street franchise, except for the 2010 remake. The documentary also explores the rise of New Line Cinema. Written by Thommy Hutson, produced by Daniel Farrands and Thommy Hutson, and co-directed by Daniel Farrands and Andrew Kasch. Heather Langenkamp, who portrayed Nancy Thompson in three of the Nightmare films, served as the project's executive producer and narrator.[2][3][4][5][6] As of February 2019, the documentary has grossed over $400k from video sales. Production: Farrands, Hutson, and Kasch first worked together on the documentary film His Name Was Jason. Farrands and Kasch were subsequently reunited by Paramount Pictures to create bonus features for Friday the 13th DVD deluxe editions, and they later worked together on bonus features for Farrands' The Haunting in Connecticut. According to Farrands, who reunited with Hutson shortly thereafter, they jointly decided that it was time to tell the backstories of how the various Elm Street films were created and decided to fund the entire project independently. In referencing the difficulties faced during the shooting of His Name Was Jason, the Elm Street retrospective would be produced by a smaller core group of artists and editors who were more dedicated to creating a quality film. Interviewees were asked to provide any rare footage, or behind the scenes photos, that had not been seen before. By way of example, Farrands reported that David Schow brought in a tape from his own work on Freddy's Nightmares that included ten minutes of Robert Englund footage that had never been aired. He also shared that during the shooting of the Elm Street films, cast and family members of cast would often take personal photos, which would be highlighted in the finished documentary. At the time of their interview with FEARnet, the production had shot a teaser trailer for the project, some on-location spots and B-roll, and they anticipated principal photography to require a 20- to 25-day shoot. In referencing the writing, Farrands made note that Hutson spent hours creating outlines and structural pieces for production to follow and wrote both the narration and "tens of thousands of questions for the interviewees”. A Nightmare on Elm Street is an American horror franchise that consists of nine slasher films, a television series, novels, and comic books. The films began with the film A Nightmare on Elm Street (1984) created by Wes Craven. The series revolves around the fictional character Freddy Krueger, a former child killer who after being burned alive by the vengeful parents of his victims, returns from the grave to terrorize and kill the teenage residents of Springwood, Ohio in their dreams. The original film was written and directed by Craven, who returned to co-script the second sequel, A Nightmare on Elm Street 3: Dream Warriors (1987), and to write and direct New Nightmare (1994). The films collectively grossed $472 million at the box office worldwide. The original film was released in 1984. A series of sequels produced by the independent film company New Line Cinema followed. New Line often attributes the growth of their company to the success of the Nightmare series. The film series as a whole has received mixed reviews by critics, but has been a financial success at the box office. When comparing the United States box office grosses of other American horror film series, A Nightmare on Elm Street is the third highest grossing series in adjusted US dollars. In 1988, a television series was produced with Freddy as the host. The pilot episode focused on the night Freddy was burned alive by the angry parents of the children he had killed, though the rest of the series featured episodes with independent plots. Twelve novels, separate from the adaptations of the films, and multiple comic book series were published featuring Freddy Krueger, as well as a crossover film featuring fellow horror icon Jason Voorheesfrom the Friday the 13th franchise. A remake of the 1984 film was released in 2010, and a second remake is planned. Freddy Krueger (/ˈkruːɡər/) is a fictional character in the A Nightmare on Elm Street film series. He first appeared in Wes Craven's A Nightmare on Elm Street (1984) as the spirit of a serial killer who uses a gloved hand with razors to kill his victims in their dreams, causing their deaths in the real world as well. In the dream world, he is a powerful force and almost completely invulnerable. However, whenever Freddy is pulled into the real world, he has normal human vulnerabilities and can be destroyed. The character was created by Craven and was consistently portrayed by Robert Englund in the original film series as well as in the television spin-off. In the 2010 franchise reboot, Freddy Krueger was portrayed by Jackie Earle Haley. In 2011, Freddy appeared as a playable character in the video game Mortal Kombat and in 2017 as a playable character in Dead by Daylight. Over the course of the series, Freddy has battled numerous survivors including Nancy Thompson and Alice Johnson. The original film introduced his backstory as the Springwood Slasher, a serial killer of children who had been burned to death by his victims' parents after evading prison. This alias would be used in other films and media throughout the franchise, such as Freddy vs. Jason and the Nightmares on Elm Street comics. Freddy attacks his victims from within their dreams. He is commonly identified by his burned, disfigured face, dirty red-and-green-striped sweater and brown fedora, and trademark metal-clawed brown leather glove only on his right hand. This glove was the product of Krueger's own imagination, the blades having been welded by himself. Robert Englund has said many times that he feels the character represents neglect, particularly that suffered by children. The character also more broadly represents subconscious fears. Wizard magazine rated Freddy the 14th-greatest villain of all time; the British television channel Sky2 listed him 8th, and the American Film Institute ranked him 40th on its "AFI's 100 Years...100 Heroes & Villains" list. In 2010, Freddy was nominated for the award for Best Villain (formerly Most Vile Villain) at the Scream Awards. Robert Barton Englund (born June 6, 1947) is an American actor and director, best known for playing the fictional serial killer Freddy Krueger in the Nightmare on Elm Street film series. He received a Saturn Award nomination for Best Supporting Actor for A Nightmare on Elm Street 3: Dream Warriors in 1987 and A Nightmare on Elm Street 4: The Dream Master in 1988, and won a Fantafestival Award for The Mangler in 1995. Englund is a classically trained actor. Wesley Earl Craven (August 2, 1939 – August 30, 2015) was an American film director, screenwriter, producer, actor, and editor. He was primarily known for creating the A Nightmare on Elm Street franchise (1984-2010) and directing the first four films in the Scream franchise(1996-2011). He also directed cult classics The Last House on the Left (1972) and The Hills Have Eyes (1977), the horror comedy The People Under the Stairs (1991), and psychological thriller Red Eye (2005). His other notable films include Swamp Thing (1982), The Serpent and the Rainbow (1988), Shocker (1989), Vampire in Brooklyn (1995), and Music of the Heart (1999). Craven was known for his pioneering work in the horror genre, particularly slasher films, where he mixed horror cliches with humor and satire.The cultural impact and influence of his work have often led him to be referred to as a “Master of Horror”. In 1995, Craven was awarded the Life Career Award for his accomplishments in the horror genre by the Academy of Science Fiction, Fantasy and Horror Films. Source: Wikipedia Artist’s Note: This is a documentary that I can’t recommend enough (especially if you’re a “Nightmare” fan). It’s one of the most thorough (Maude Lebowski) documentaries about film that I’ve seen (Along with Mark Cousins’ ‘The Story of Film: An Odyssey. Which covers, not just a franchise, but over a hundred years of cinema and has a 915 minute runtime). At four hours long, each movie gets a good analysis. And the amount of actors, writers, directors, producers that they were able to interview is somewhat astounding for an independent documentary. Even the filmmakers commentary (which runs the full length, and yes, I’ve listened to that too) is full of more input on top of input... Good stuff.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 36 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support