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Jazz Impressions of Japan is a 1964 album by The Dave Brubeck Quartet. It was recorded on June 16–17, 1964 at the legendary CBS 30th Street Studio, except for "Zen Is When" which was recorded on January 30, 1960. It was released on August 10, 1964. The album, as the back cover of the remastered CD confirms, had been long out-of-print until it was reissued on CD in 2001, then re-released in 2008 and 2009. In the album booklet, Brubeck talks about the quartet's trip to Japan and provides poignant and interesting information for each piece of the album, explaining what inspired a certain piece, for instance. In fact, the album is a sort of trip diary. This is how Brubeck himself describes the project: "The tunes in this album are personal impressions from the Quartet's tour of Japan, Spring 1964. No one in a brief visit can hope to absorb and comprehend all that is strange to him. Sights and sounds, exotic in their freshness, arouse the senses to a new awareness. The music we have prepared tries to convey these minute but lasting impressions, wherein the poet expects the reader to feel the scene himself as an experience. The poem suggests the feeling." "Koto Song" is the only piece from the album that became a Brubeck standard; he would record it numerous times in the following years. Source: Wikipedia
Jazz Impressions of Japan is a 1964 album by The Dave Brubeck Quartet. It was recorded on June 16–17, 1964 at the legendary CBS 30th Street Studio, except for "Zen Is When" which was recorded on January 30, 1960. It was released on August 10, 1964. The album, as the back cover of the remastered CD confirms, had been long out-of-print until it was reissued on CD in 2001, then re-released in 2008 and 2009. In the album booklet, Brubeck talks about the quartet's trip to Japan and provides poignant and interesting information for each piece of the album, explaining what inspired a certain piece, for instance. In fact, the album is a sort of trip diary. This is how Brubeck himself describes the project: "The tunes in this album are personal impressions from the Quartet's tour of Japan, Spring 1964. No one in a brief visit can hope to absorb and comprehend all that is strange to him. Sights and sounds, exotic in their freshness, arouse the senses to a new awareness. The music we have prepared tries to convey these minute but lasting impressions, wherein the poet expects the reader to feel the scene himself as an experience. The poem suggests the feeling." "Koto Song" is the only piece from the album that became a Brubeck standard; he would record it numerous times in the following years. Source: Wikipedia
Jazz Impressions of Japan is a 1964 album by The Dave Brubeck Quartet. It was recorded on June 16–17, 1964 at the legendary CBS 30th Street Studio, except for "Zen Is When" which was recorded on January 30, 1960. It was released on August 10, 1964. The album, as the back cover of the remastered CD confirms, had been long out-of-print until it was reissued on CD in 2001, then re-released in 2008 and 2009. In the album booklet, Brubeck talks about the quartet's trip to Japan and provides poignant and interesting information for each piece of the album, explaining what inspired a certain piece, for instance. In fact, the album is a sort of trip diary. This is how Brubeck himself describes the project: "The tunes in this album are personal impressions from the Quartet's tour of Japan, Spring 1964. No one in a brief visit can hope to absorb and comprehend all that is strange to him. Sights and sounds, exotic in their freshness, arouse the senses to a new awareness. The music we have prepared tries to convey these minute but lasting impressions, wherein the poet expects the reader to feel the scene himself as an experience. The poem suggests the feeling." "Koto Song" is the only piece from the album that became a Brubeck standard; he would record it numerous times in the following years. Source: Wikipedia
Jazz Impressions of Japan is a 1964 album by The Dave Brubeck Quartet. It was recorded on June 16–17, 1964 at the legendary CBS 30th Street Studio, except for "Zen Is When" which was recorded on January 30, 1960. It was released on August 10, 1964. The album, as the back cover of the remastered CD confirms, had been long out-of-print until it was reissued on CD in 2001, then re-released in 2008 and 2009. In the album booklet, Brubeck talks about the quartet's trip to Japan and provides poignant and interesting information for each piece of the album, explaining what inspired a certain piece, for instance. In fact, the album is a sort of trip diary. This is how Brubeck himself describes the project: "The tunes in this album are personal impressions from the Quartet's tour of Japan, Spring 1964. No one in a brief visit can hope to absorb and comprehend all that is strange to him. Sights and sounds, exotic in their freshness, arouse the senses to a new awareness. The music we have prepared tries to convey these minute but lasting impressions, wherein the poet expects the reader to feel the scene himself as an experience. The poem suggests the feeling." "Koto Song" is the only piece from the album that became a Brubeck standard; he would record it numerous times in the following years. Source: Wikipedia
Jazz Impressions of Japan is a 1964 album by The Dave Brubeck Quartet. It was recorded on June 16–17, 1964 at the legendary CBS 30th Street Studio, except for "Zen Is When" which was recorded on January 30, 1960. It was released on August 10, 1964. The album, as the back cover of the remastered CD confirms, had been long out-of-print until it was reissued on CD in 2001, then re-released in 2008 and 2009. In the album booklet, Brubeck talks about the quartet's trip to Japan and provides poignant and interesting information for each piece of the album, explaining what inspired a certain piece, for instance. In fact, the album is a sort of trip diary. This is how Brubeck himself describes the project: "The tunes in this album are personal impressions from the Quartet's tour of Japan, Spring 1964. No one in a brief visit can hope to absorb and comprehend all that is strange to him. Sights and sounds, exotic in their freshness, arouse the senses to a new awareness. The music we have prepared tries to convey these minute but lasting impressions, wherein the poet expects the reader to feel the scene himself as an experience. The poem suggests the feeling." "Koto Song" is the only piece from the album that became a Brubeck standard; he would record it numerous times in the following years. Source: Wikipedia
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Osaka Blues Painting

Philip Leister

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Jazz Impressions of Japan is a 1964 album by The Dave Brubeck Quartet. It was recorded on June 16–17, 1964 at the legendary CBS 30th Street Studio, except for "Zen Is When" which was recorded on January 30, 1960. It was released on August 10, 1964. The album, as the back cover of the remastered CD confirms, had been long out-of-print until it was reissued on CD in 2001, then re-released in 2008 and 2009. In the album booklet, Brubeck talks about the quartet's trip to Japan and provides poignant and interesting information for each piece of the album, explaining what inspired a certain piece, for instance. In fact, the album is a sort of trip diary. This is how Brubeck himself describes the project: "The tunes in this album are personal impressions from the Quartet's tour of Japan, Spring 1964. No one in a brief visit can hope to absorb and comprehend all that is strange to him. Sights and sounds, exotic in their freshness, arouse the senses to a new awareness. The music we have prepared tries to convey these minute but lasting impressions, wherein the poet expects the reader to feel the scene himself as an experience. The poem suggests the feeling." "Koto Song" is the only piece from the album that became a Brubeck standard; he would record it numerous times in the following years. Source: Wikipedia

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Size:18 W x 36 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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