Pressure and repression Painting

Born in Brazil and living in Spain, Dayse Feijó has been developing from her home country and now in Spain a process of pictorial work linked to a strong symbolic-conceptual narrative. In his works you can also see an organic composition where large volumes are denoted and where one can intuit, in certain works, his connection with the female figure, a theme very present in all his artistic discourse. The line of his current work has been gradually defined, in principle from influences of artistic trends in Brazil, mainly from the art school of Pernambuco and more specifically from his hometown, Recife. These pictorial and sculptural tendencies are easily found especially in the streets of the capital of Pernambuco where you can see sculptures that highlight the great volumes in works such as the sculptor Abelardo da Hora or for example, in a more three-dimensional expression, in the figures sculptures by Francisco Brennand with its wide color applied to ceramics. At the moment great part of his pictorial works unfolds from aqueous techniques; as acrylic, watercolor, gouache etc., applied to paper and canvas, technical profile added from your contact with the School of Arts of Priego de Córdoba, Spain. In his works with acrylic techniques it is visible the use of a very specific chromatic range of strong and "open" tones that can be provided by acrylic (colors such as red or black with evident symbology in the representation of life situations). Also from this technique, you can see a certain search for transparency, but with opaque nuances, an intentional process that aims to bring the lines to flatter shapes tending to the drawing. Within this dialogue of forms is also found in some of his works a technical format that is developed from colored dots that together can give movement and volume to the forms, standing out in this way from the flat formats of lines that accompany them. The points also talk in a conceptual way about the cultural and racial diversity existing in Brazil as well as in general at a global level when this work has already been developed outside of Brazil as a hallmark of them. The sculptural work is quite similar to the paintings since it is developed with the same language close to minimalism where the figures are presented very cleanly with lines that play between the "empty and full". The current technical support selected for this type of work has been aluminum casting.