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2020 has been a struggle for many of us coping with the health of family and friends. This self portrait began as something quite different. It began as a portrait of a couple not facing each other- the title was to be " We don't even speak the same language anymore". I was struggling with his face.  While watching a British series "The Spanish Princess"  I saw a man with a birdlike mask on- commonly used during the plague in the 18th century, worn by physicians to protect them from airborne diseases.  I saw an  immediate connection with my painting- as I had already created her face using an advertisement in Chinese, suddenly the painting had turned a corner.  His arms were created using skins shed from a common snake, and a vinyl coating from metal grating- relating to the shedding of the virus.  As I mentioned this is a self portrait, the man, my husband may have had mild but deeply concerning symptoms of the Corona virus.
2020 has been a struggle for many of us coping with the health of family and friends. This self portrait began as something quite different. It began as a portrait of a couple not facing each other- the title was to be " We don't even speak the same language anymore". I was struggling with his face.  While watching a British series "The Spanish Princess"  I saw a man with a birdlike mask on- commonly used during the plague in the 18th century, worn by physicians to protect them from airborne diseases.  I saw an  immediate connection with my painting- as I had already created her face using an advertisement in Chinese, suddenly the painting had turned a corner.  His arms were created using skins shed from a common snake, and a vinyl coating from metal grating- relating to the shedding of the virus.  As I mentioned this is a self portrait, the man, my husband may have had mild but deeply concerning symptoms of the Corona virus.
2020 has been a struggle for many of us coping with the health of family and friends. This self portrait began as something quite different. It began as a portrait of a couple not facing each other- the title was to be " We don't even speak the same language anymore". I was struggling with his face.  While watching a British series "The Spanish Princess"  I saw a man with a birdlike mask on- commonly used during the plague in the 18th century, worn by physicians to protect them from airborne diseases.  I saw an  immediate connection with my painting- as I had already created her face using an advertisement in Chinese, suddenly the painting had turned a corner.  His arms were created using skins shed from a common snake, and a vinyl coating from metal grating- relating to the shedding of the virus.  As I mentioned this is a self portrait, the man, my husband may have had mild but deeply concerning symptoms of the Corona virus.
2020 has been a struggle for many of us coping with the health of family and friends. This self portrait began as something quite different. It began as a portrait of a couple not facing each other- the title was to be " We don't even speak the same language anymore". I was struggling with his face.  While watching a British series "The Spanish Princess"  I saw a man with a birdlike mask on- commonly used during the plague in the 18th century, worn by physicians to protect them from airborne diseases.  I saw an  immediate connection with my painting- as I had already created her face using an advertisement in Chinese, suddenly the painting had turned a corner.  His arms were created using skins shed from a common snake, and a vinyl coating from metal grating- relating to the shedding of the virus.  As I mentioned this is a self portrait, the man, my husband may have had mild but deeply concerning symptoms of the Corona virus.
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Promises of an Unbreakable Heart Painting

Mona Dworkin

United States

Painting, Acrylic on Canvas

Size: 36 W x 36 H x 1.5 D in

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$3,310

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About The Artwork

This self portrait began as something quite different. It began as a portrait of a couple not facing each other- the title was to be " We don't even speak the same language anymore". I was struggling with his face. While watching a British series "The Spanish Princess" I saw a man with a birdlike mask on- commonly used during the plague in the 18th century, worn by physicians to protect them from airborne diseases. I saw an immediate connection with my painting-and covid. Suddenly the painting had turned a corner. His arms were created using skins shed from a common snake, and a vinyl coating from metal grating- relating to the shedding of the virus. As I mentioned this is a self portrait, the man, my husband may have had mild but deeply concerning symptoms of the Corona virus.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Influenced by the country's racial divide and social instability, my paintings are visual narratives on race, resilience and the fragility of human connections. Through my paintings I explore injustices towards women and people of color. I see my artwork as a dialogue; an opportunity to awaken sensitivities in others who fail to see the abuse black people encounter daily. I want my paintings to give a voice to generations of people who have been abused by systemic racism. Adding a distressed texture to the surface of the canvas is symbolic of the physical and emotional pain inflicted on people of color. When we fail to acknowledge man's inhumanity towards others it makes us complicit in their acts. I learned the powerful art of resilience from my father, it is a theme that reverberates throughout my work and life. Elements of race, gender and relationships are portrayed as fragmented and sometimes disparate with recognizable eyes staring back at the viewer. This body of work similarly echoes themes of uncertainty. The current social climate where we are acutely aware of, and often tormented by others, begs us to consider the vast and unknowable potentials of our futures. Incorporating found objects and ephemera collected adds personal context of women's shared experiences. Artworks with couples represent a time in my life when I questioned my standing in a relationship and the power play of give and take. Painting is cathartic, having the opportunity to share my work brings me great joy.

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