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Detail of the Psychedelic Cactus.
Detail of the Psychedelic Cactus.
Detail of the Psychedelic Cactus.
Detail of the Psychedelic Cactus.
The Psychedelic Cactus on the wall with the artist in the studio.
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Psychedelic Cactus Painting

Dominic-Petru Virtosu

France

Painting, Oil on Canvas

Size: 31.5 W x 39.4 H x 0.8 D in

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Originally listed for $3,210
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310 Views
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About The Artwork

Creating imagery that is both striking and easy to understand has been the speciality of Dominic Virtosu through-out his career. The artist focuses primarily on a visual language that relates to cultural references and 21st century pop-trends of the moment to articulate a bouquet of sensory stimuly that caress the intellects ability to process transmaterial objects. There is undoubtedly no objectivity in this endeavour as the artists’ stated mission is to immerse himself completely into the task of creation. The subject, being a pretext for his artistic expression, entertains within the viewer the notion of duality transposing him/her into a superior sphere of consciousness. The theme of the Cactus is prevalent in Virtosu’s work and dates back to 2015 and Virtosu’s first visit to the Canary Island of Spain – mainly his stay and exploration period on the island of Tenerife where he has been charmed by the rugged nature and the way green life had found a way to colonize even that piece of inhospitable land. Similar to a volcanic eruption, Virtosu’s painting exploded into a large palette of juxtaposed colors – reminding somewhat of the Fauvism that had also impressed him during his years of study. Using photography as a starting point, Virtosu’s vibrant imagination creates composition with cacti of the most varied species and transforms their colors to reflect his subjective mood. „There is no right or wrong answer in this”, the artist claims, „I feel that I need to paint something in a certain way and I do it until I am satisfied with the result. Sometimes it takes a few months to get a result that I am looking for, sometimes it takes me a few days and sometimes, rarely, just a few hours.” Speaking about his cactus series, Dominic Virtosu puts an accent on the aesthetic aspect of the work: „I am very interested in how a painting looks. I feel like it really needs to look great before I am satisfied with it. With the cacti I am always looking for better ways to apply the paint so that the plants look vivid and the color remains as vibrant as I see it in my head. Often I had to re-think the way I was painting a work WHILE i was painting it, because I had discovered a new way of mixing colors or some other trick that I wanted to use. It’s a learning process that demands attention, patience and dilligence. However, the end-result makes me feel really great.” With „Psychedelic Cactus” Virtosu pushes his mastery one step further and invents another, new protocol, for applying the paint on the canvas: he first creates a background layer around and behind the plants in order to have a base color to help his eye get oriented as to what nuances to use for the objects in the foreground. In the next stage of the work, the artist endeavours meticulously into rendering each and every detail of the cactus, applying dabs of paint with fine brushes in numerous nuances that he carefully juxtaposes and creates what could be described as an observation painting. „The more rewarding stage of my painting process is the third stage: here I come back on this layer of color that I had just finished working on and, very carefully and making sure that I constantly clean my brush, I start unifying the colors one to the other slowly. I mix them together ever so gently in order to achieve a smooth transition between hues.” The end result is a cactus that is both vibrant, from all the tones and hues, AND absolutely smooth in texture. „I wanted this cactus to reflect the texture of the actual plant, which is smooth and glossy skin that is sometimes interrupted by brutal spikes” says the artist. „I find this contrast between the skin and the spikes to be absolutely astonishing, both visually and aesthetically. I am also interested in this as a metaphor for the human condition: the way we all have spikes that protect us against being hurt – we hold others at bay so that they are not able to gage our imperfections – but, behind that, we all are fragile, beautiful beings, worthy of love.”

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 39.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Being an adept of crude metaphors and not afraid to be emphatic about it, Dominic Virtosu is exploring the actuality and in-actuality of painting. With his solid work experience in the field of advertising, he is playing with its lively chaos of imagery and creates a sort of “peinture d’essai”. The artists’ desire to shock, to provoke, to hurt the retina, comes from his interior fracture: between revolt towards consumerist advertising and his simultaneous attraction towards its inexhaustible, toxic imaginarium. This is a painting style that is not “nice” nor is it “tame”. The artists’ meeting with Neo Rauch’s art and the neorealist movement at the Hochschule fur Grafik und Buchkunst in Leipzig under the tutelage of professor Annette Schröter has had a profound influence on his narrative style aș well aș on his technique. A Masters’ graduate at the Național University of Arts in Bucharest in the painting class of Professor Cătălin Bălescu, the artist has developped his own visual language made up of contemporary references, clues that he degrades in ironic and visual distopias („Memory Empty” - 2011, „See You Later” - 2019, “The Gathering – Bunny” - 2019, „Family” - 2021, "Good Vibes Only" - 2021 and “Fun Times” – 2022). Through the (de)valuing of iconography coded by advertisting, TV and influencers, Virtosu is enticing the viewer into a familiar and colorful screenplay. In works such as „Social Distancing” – 2021 – the artist sends a nod to the guru of art marketing - Jeff Koons’ „inflatables” series. The mystical dimension given to simulated success, is one of the themes that mirror the solitude and intimacy of the artists’ studio during quarantine. There is, of course, a lot of biographical material in these paintings. There’s the admission of a family that was profoundly hurt by the 50 years of communism in which they survived; this recollection is partially digested, in a cathartic, almost therapeutic way, in works such as „We come together” – 2019 and „The Ten Commandments” – 2019 – that are directly inspired by the vitality of the resistance in the countryside against the regime. The structural influence of Florin Ciubotaru is also to be found within the work – ridden of its’ post-surrealist networks and translated into an exhuberant chromatic expression, in the masterful textures that Virtosu is creating („Botanique Hypnotique”- 2019, "Pure Joy" - 2022, "Abstract Landscape" - 2019).

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