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My REGENERATION series is about growing as an artist through experimentation and risk by reworking “finished” paintings. I have found it liberating to destroy a piece that at one time seemed complete, but now feels amateur, stagnant, and unremarkable. By risking these pieces in the hope of giving them a renewed beauty, I allow myself to reinvigorate who I am as an artist as well as my overall sense of optimism.

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View In My Room

REGENERATION No. 22 Painting

Katie Gutierrez

United States

Painting, Encaustic on Wood

Size: 6 W x 6 H x 1 D in

Ships in a Box

SOLD
Originally listed for $166

103 Views

6

ABOUT THE ARTWORK

My REGENERATION series is about growing as an artist through experimentation and risk by reworking “finished” paintings. I have found it liberating to destroy a piece that at one time seemed complete, but now feels amateur, stagnant, and unremarkable. By risking these pieces in the hope of giving them a renewed beauty, I allow myself to reinvigorate who I am as an artist as well as my overall sense of optimism.

DETAILS AND DIMENSIONS
Painting:

Encaustic on Wood

Original:

One-of-a-kind Artwork

Size:

6 W x 6 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Fine art has provided me with the creative outlet I require in order to properly function since childhood. I am inspired by a feeling or visual cue almost every day, and creating art is my most natural response to that inspiration. With degrees in both photography and graphic design, I struggled to for years find my artistic “voice” and medium until discovering encaustic painting and collage in 2005. Texture, depth, and color (or lack of) are very important aspects of my work, and my paintings and prints are typically created from a combination of encaustic paint and medium, paper, fabric, cold wax, ink, shellac, bronze powder, mica, watercolor, and acrylic. My experience has been a mix of learning how to do things properly while simultaneously experimenting in practices that would most likely result in epic failure – and as a huge fan of the “happy accident,” something I have learned not to worry about. I love the meditative and sensory experience of working with wax. It allows me to incorporate the “messy, yet graphic” feeling that I have always been attracted to in art that I like into the art that I make.

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