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Red Creek Laundromat Painting

Robert Stone

United States

Painting, Oil on Other

Size: 48 W x 36 H x 2 D in

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$6,480

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About The Artwork

Believe it or not, I actually witnessed this scene way back when I lived in upstate New York. Of course, the image has been filtered through my twisted mind. Contrary to popular belief, New York State is mostly rural. I went into town one evening to do my laundry (this was before I installed indoor plumbing). While I was waiting for my laundry to dry, in came four generations of the female side of a family of pig thieves. No kidding, they had been caught red-handed at a livestock auction near Syracuse trying to sell Leon Stoddard’s stolen pigs. Other than the pig-thieving, they were supported at public expense. I had a friend who had to make visits to their home as part of her job. She had to investigate why the children were malnourished despite the food stamps. The parents were too lazy to even get up off the couch. As they finished their cans of beer, they just tossed them onto the pile of cans in the corner, already over three feet high. Anyway, as they started doing their laundry, a fifteen-year-old girl who lived in an apartment over the laundromat came down to use the coke machine. They immediately started to verbally attack her, tormenting her because her mother was dating a black man. This would not have surprised me if it had just been the children taking part. Some school children are inherently mean, and racial prejudice was rampant in those parts. But the whole family was doing it, even the great-grandmother. I guess they had found the one person in town who, in their eyes, had less social standing than they did, and they were not going to lose an opportunity to establish that they were not the absolute bottom of the social heap. I finally told them to leave the girl alone, which prompted them to turn on me while the poor girl returned crying to her apartment upstairs. This is a painting that I worked on for many years, when I hardly ever painted at all. I was painting this when I made the switch from acrylics to oils, so the older parts are acrylic and the newer layers are oil. I started out with acrylics because I thought that they were less toxic and easier to learn with. They dry so quickly that mistakes can be painted over almost immediately, and there is less technical information to learn. However, I have always done a lot of blending, and the smooth effects that I wanted were difficult and time consuming to get with acrylics. I now paint exclusively with oils, and the effects that I want are far easier and faster to achieve.

Details & Dimensions

Painting:Oil on Other

Original:One-of-a-kind Artwork

Size:48 W x 36 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Robert Stone grew up in Southern California. He received a BA from Northwestern University, where he tried to beg his way into art classes; but since he was not an art major, he was never successful at getting in. After a disastrous love affair, he bought a canvas and paints, and started to paint the feelings he did not have the words for. The second painting he ever made was accepted into the prestigious 1975 Finger Lakes Exhibition at the University of Rochester, which encouraged his newfound passion. He remains self-taught. Upon moving to the Bay Area in 1978, he tried to find representation in an art gallery; but having at the time completed only four paintings and having no art education, of course no gallery was interested, so he resorted to a career in construction to put food on the table. After one of his paintings was vandalized at the 1981 Artisans’ Guild Fine Art Show at the Marin County Civic Center, he stopped showing, and with a marriage and new responsibilities in his worklife, he nearly stopped painting altogether for the next twenty-five years. He is now retired and finally able to paint the images that have fermented in his head for most of his adult life. While he started with acrylics, he now paints exclusively with oils on canvas. He feels a kinship with Bosch, Breughel, and the Surrealists, but he loves the handling of light and color of the Impressionists. Among contemporary artists he admires are Kathy Calderwood and Tina Mion. He has traveled extensively and has had many exciting adventures, including having a pistol cocked and held to his head on a beach in Nicaragua, being hunted down by half a dozen men with bush knives in Papua New Guinea, spending time in the jungle with rebel armies, and being arrested by military intelligence in Rangoon at the home of a future Nobel Peace Prize winner. Besides painting about ordinary life experiences of heartbreak and joy, he is painting about these other experiences of a full life. Most of his paintings can be characterized as Surrealistic and unapologetically narrative. He likes to see the humor in the dark side of life, and the darkness that lies just below the surface of the bright side. He delights in portraying light and in the feeling it invokes when he hits just the right note. He has resided in Santa Cruz, California since 1978.

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