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Painting, Acrylic on Pressed Cardboard

12 W x 16 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,502

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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A vintage inspired cowboy with rifle wearing a red kerchief and subtle expression. Uses heavy impasto to create a highly textured surface and dry brushing technique.

Year Created:

2016

Subject:

Mediums:

Painting, Acrylic on Pressed Cardboard

Rarity:

One-of-a-kind Artwork

Size:

12 W x 16 H x 0.5 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

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Jaeme Bereal

About the Artist

Jaeme Bereal

United States

I'm an Oakland, CA based painter and hair stylist, the latter of which provided the supports and independence to cultivate my art over the last 25 years.

Music, politics and people are integral aspects to my work. Music elicits powerful visuals, politics and social issues offer opportunities to challenge and illuminate, and people's faces are multi-colored landscapes etched in a tangle of emotion and experience.

My goal is to offer substance and context that bring people closer to real issues that affect us all. I regularly feature people of color, and my hope is to empower those who feel marginalized or somehow short-changed.

I grew up amid the tumultuous 1970s in south central Los Angeles. Luckily, with excellent grades and scholarships, I attended UC Berkeley in 1981 for Fine Art, studying under the renowned ceramic innovator Peter Voulkos.

However, due to a period of disillusionment, both politically and artistically, I dropped art completely for eight years. Upon my return in 1989, I dove in with a renewed appetite to explore past my limits. I even built an art studio and gallery inside my hair salon.

At 40, I matriculated in a commercial art school, thinking to become a 3D illustrator. But it didn't take long to discover where I felt most at home, in 2D illustration and portraiture.

Recognition:

  • Artist featured in a collection

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