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"Rocks at Gairloch Beach" Painting

→ Laurie-Lynn Mcglynn, United Kingdom

Painting, Acrylic on Canvas

40 W x 60 H in

Ready to Hang

$1,095

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ABOUT THE ARTWORK

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A day spent exploring the shores of Gairloch in North West Scotland, I came across a small cove, with an interesting rock formation. The painting is my expression of experiencing the light, shadow and colours that highlighted the stack of rocks at sunset along the Gairloch shores.

Year Created:

2023

Subject:

Styles:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

40 W x 60 H x 2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Laurie-Lynn Mcglynn

About the Artist

Laurie-Lynn Mcglynn

United Kingdom

My painting practice has been split into two distinctly different processes: Firstly, traditional painting on canvas displayed on the wall; and secondly, the creation of hybrid painting which focuses on process and the materiality of acrylic/latex paint. The latter uses steel mesh rather than canvas and is formed into large scale 3-d floor paintings. The former process, traditional painting on canvas, is my current practice.
My current research involves collecting personal interviews from friends and family about their memories of childhood, coupled with tangible materials such as photographs, postcards, letters, diaries, maps, vintage objects etc. The data is collated to construct a contextual framework, a narrative that will become a series of painted works. The work is testimony to preservation and/or deterioration of memory through time, the impact of trauma, and the surrounding environment.
The figurative paintings, which are still work in progress, infer a state of suspension; a presence that is captured within a memory, or the perception of what that memory was. Quell 1 and Quell 2 demonstrate the beginning of my exploration into the theme of memory, and the compositional challenges that are presented to me as a contemporary painter.

Recognition:

  • Showed at the The Other Art Fair

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