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Acrylic gesso, enamel water-based paint, acrylic paint, and mineral pigments on inkjet printed rough 140gr/m² book printing paper 118.5 x 87 cm | 46.7 x 34.3 in Through the use of geometries that resemble virtual structures defined by their edges, the notion of space is activated, reinforced by the dark background and the metallic tones of some surfaces.This virtual and non-reducing construction is the stage where the shifting body unfolds in its sensory experience. It is not a cage, in the limiting sense of the term, it is the reference that enables the understanding of more remote and deep spaces.
Acrylic gesso, enamel water-based paint, acrylic paint, and mineral pigments on inkjet printed rough 140gr/m² book printing paper 118.5 x 87 cm | 46.7 x 34.3 in Through the use of geometries that resemble virtual structures defined by their edges, the notion of space is activated, reinforced by the dark background and the metallic tones of some surfaces.This virtual and non-reducing construction is the stage where the shifting body unfolds in its sensory experience. It is not a cage, in the limiting sense of the term, it is the reference that enables the understanding of more remote and deep spaces.
Acrylic gesso, enamel water-based paint, acrylic paint, and mineral pigments on inkjet printed rough 140gr/m² book printing paper 118.5 x 87 cm | 46.7 x 34.3 in Through the use of geometries that resemble virtual structures defined by their edges, the notion of space is activated, reinforced by the dark background and the metallic tones of some surfaces.This virtual and non-reducing construction is the stage where the shifting body unfolds in its sensory experience. It is not a cage, in the limiting sense of the term, it is the reference that enables the understanding of more remote and deep spaces.
Acrylic gesso, enamel water-based paint, acrylic paint, and mineral pigments on inkjet printed rough 140gr/m² book printing paper 118.5 x 87 cm | 46.7 x 34.3 in Through the use of geometries that resemble virtual structures defined by their edges, the notion of space is activated, reinforced by the dark background and the metallic tones of some surfaces.This virtual and non-reducing construction is the stage where the shifting body unfolds in its sensory experience. It is not a cage, in the limiting sense of the term, it is the reference that enables the understanding of more remote and deep spaces.
Acrylic gesso, enamel water-based paint, acrylic paint, and mineral pigments on inkjet printed rough 140gr/m² book printing paper 118.5 x 87 cm | 46.7 x 34.3 in Through the use of geometries that resemble virtual structures defined by their edges, the notion of space is activated, reinforced by the dark background and the metallic tones of some surfaces.This virtual and non-reducing construction is the stage where the shifting body unfolds in its sensory experience. It is not a cage, in the limiting sense of the term, it is the reference that enables the understanding of more remote and deep spaces.
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SENSING SPACE Painting

Alexandre Liberato

Germany

Painting, Acrylic on Paper

Size: 46.7 W x 34.3 H x 0.1 D in

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About The Artwork

Acrylic gesso, enamel water-based paint, acrylic paint, and mineral pigments on inkjet printed rough 140gr/m² book printing paper 118.5 x 87 cm | 46.7 x 34.3 in Through the use of geometries that resemble virtual structures defined by their edges, the notion of space is activated, reinforced by the dark background and the metallic tones of some surfaces.This virtual and non-reducing construction is the stage where the shifting body unfolds in its sensory experience. It is not a cage, in the limiting sense of the term, it is the reference that enables the understanding of more remote and deep spaces.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:46.7 W x 34.3 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alexandre Liberato is a Portuguese visual artist based in Berlin whose work spans a wide range of media, including painting, drawing, photography, and video. He holds a degree in Architecture from the Technical University of Lisbon, 2005, and attended CREART - Artistic and Creative Research Labs in Barcelona, 2017. His work has been exhibited internationally in Berlin at KINDL - Center for Contemporary Art, Gallery Heike Arndt DK, Hošek Contemporary, 48 Stunden Neukölln Festival, and Projektraum 145; in Barcelona at Espacio 88; as well as at the Thessaloniki Queer Art Online Festival. In 2019, KONVENT.ZERO, Berga, Barcelona selected Alexandre for its artist-in-residence program. Alexandre Liberato’s project focuses on geometry, the body, and the creation of an abstract metaphysical space to contemplate the sublime- a sensibility that touches everyone equally, transforming them from the inside. The conscious emancipation he seeks in the entire spectrum of his work is not limited to LGBTQ+ people but aims to emancipate masculinity from toxic old ideas of the past.

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