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Something to Lose Painting

Don Keene

United States

Painting, Oil on Canvas

Size: 36 W x 30 H x 2 D in

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$3,410

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About The Artwork

An up-front tangle of arms, legs, bodies and faces coalesces into what appears to be three men and two women mashed together in a heated undertaking of sexual conquest. What's less clear is whether this encounter is entirely consensual, and taking it a step further, whether a form of sexual violence is unfolding here. The fact that an audience appears to be taking in this possibly unsavory scene adds to the growing sense of anxiety and dread regarding the borderline uncivil tone shaping the mood of the piece, and in so doing touches on our spreading impulse as a society to be immune to, or even to enjoy being entertained by, other peoples' forms of human depravity. Even assuming legality is not at issue here, and whether or not the participants are experiencing pleasure in their groping and twisted expressions, or pain and humiliation, through their participation in this activity, voluntary or otherwise, the loss of something of value is assuredly at risk. Influences, among others, include Max Beckmann, Edvard Munch, Bob Thompson, George McNeil, Richard Diebenkorn, David Park, Francesco Clemente, R.B. Kitaj and Willem de Kooning.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 30 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Don Keene's paintings are bold expressionistic renditions of a ‘Red Light’ district that lurks in the subconscious. Evading time, place and definition, these vignettes represent a freedom of will from judgment while the colors and lines that portray unabashed passions saturate the composition with frenzied force. - D. Domick Lombardi Don Keene is a product of Pasadena's Art Center College of Design and the graduate program in Studio Art at The College of New Rochelle. His concerns with the human figure are less illustrative than they are metaphoric. His abstract accumulations of paint and form investigate the relationships we have with our bodies. The investigative dialogue he orchestrates deals with how and why human experience is confounded by primordial passion and desire within a free society that confuses sensuality, sexually charged imagery, emotive content, feelings of personal tension and self-consciousness, and the role of eroticism and pornography. It is the incongruous nature of this content that, for Keene, is in need of exploration. The resultant paintings and drawings on canvas and paper are purportedly abstract yet feel sexual. - William C. Maxwell

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