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Spelling Error, the little Painting

Patrick Santoni

France

Painting, Acrylic on Canvas

Size: 6.7 W x 6.7 H x 0.2 D in

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SOLD
Originally listed for $180
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About The Artwork

Works in Brooklyn ... Guys of the construction industry make us believe that they are working all the time, we have the same guys in France. Acrylic on impression Inkjet glued onto canvas (cotton 380g / m2). Size: 6.7 H x 6.7 W 1/128 inches (17 x 17 x 0,1 cm) This is an Inkjet printing glued on canvas, cut out and pasted on cardboard once the work is completed. The artwork size is 17 x 17 cm, it is glued to a cardboard 20 x 20 cm to be framed on frame 20 x 20 cm. This work is finished with a gloss varnish. This work will be sent to a cheap frame without glass, ready to hang (additional photos). You can hang it as is or change the frame to your liking. frame size: 22 x 22 x 3 cm.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:6.7 W x 6.7 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a polymorphous artist, if painting is my favorite medium, I also use other media at my disposal: drawing, photography, digital art, sculpture and video where music is present. Each work is approached done by an intellectual and plastic reflection, photos, sketches, notes, the result is a model of the desired plastic image, realized on Photoshop. The execution is mainly done in acrylic or oil. My work is strongly steeped in my Corsican origins, the wild waste dumps, the abandoned villages, the ruins, the invading scrub, the dust of the summer, theses images are strongly printed in my unconscious, but also the exile, the departure and the return, which characterizes us the Corsicans. My works today are mostly urban landscapes drawn from television, photographic imagery, my travels and Google Maps. I do a research work, a kind of inventory of our human society with my particular vision. My work reflects the noisy and uncertain silence of our time, I question my contemporaries about our paradoxes our choices of life for the future, by submitting images of the past or present imprinted with human presence. These images are most often related to childhood, hopes born in childhood and disillusionment of adulthood.

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